Aimee Cliff
Articles By Aimee Cliff
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Guards at the Taj, Orange Tree Theatre review - miniature ma...
It’s 1648 in Agra, and an excitable young guardsman has come up with an idea: a giant flying platform that he calls an “aeroplat”. As...
Legacy, Linbury Theatre review - an exceptional display of b...
In the foyer of the Linbury Theatre is an exhibition which gives a very upbeat account of the presence of...
Album: Chuck Prophet - Wake the Dead
Chuck Prophet speaks the old language of rock’n’roll as if it’s bright and new. His long gone band Green On Red were R.E.M.’s Eighties peers, and...
'His ideal worlds embraced me with their light and love...
"I always enjoy seeing sunlight play on the rocks, the water, the trees and plains. What variety of effects, what brilliance and what softness......
Anora review - life lesson for a kick-ass sex worker
Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean...
Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hal...
Last time I saw the lovelorn Cyclops from Handel’s richly turbulent cantata, Aci, Galatea e Polifemo, he was in a warehouse at Trinity...
Road Diary: Bruce Springsteen and the E Street Band, Disney+...
Director Thom Zimny has become the audio-visual Boswell to Bruce Springsteen’s Samuel Johnson, having made documentaries about the making of ...
Blitz review - racism persists as bombs batter London
Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was...
The Buddha of Suburbia, Barbican Theatre review - farcical f...
Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost...