Bob Riley
Articles By Bob Riley
latest in today
theartsdesk Q&A: director Jacques Audiard on his Mexican...
Jacques Audiard – creator of such subversive crime dramas and alternative romances as Read My Lips (2001), The Beat That My Heart...
The Wild Duck, The Norwegian Ibsen Company, Coronet Theatre...
“I think this is all very strange,” declares 14-year-old Hedvig Ekdal at the end of The Wild Duck’s third act, just as everything is...
London Film Festival 2024 - Angelina Jolie does Maria Callas
Maria
How do you solve a problem like Maria?...
Albert Herring, Scottish Opera review - fun, frivolity, and...
Having premiered at the Lammermuir Festival earlier this year, Daisy Evans’s new production of Britten’s Albert Herring...
Encounters, Royal Ballet review - exciting mixed bill with a...
In 2022, the American choreographer Pam Tanowitz made a duet on...
Emilia Perez review - Audiard's beguiling musical tribu...
A Mexican drugs cartel boss. A transitioning man. A strikingly beautiful woman lawyer risking all against corruption. Bittersweet songs...
First Person: Bob Riley on Manchester Camerata's champi...
In May, it was announced that Greater Manchester was to...
Dahomey review - return of the king
Mati Diop’s “speculative documentary” reverses the transatlantic journey of her feature debut Atlantics’ ghost Senegalese migrants, as...
Le nozze di Figaro, The Mozartists, Page, Cadogan Hall revie...
Ten years ago, Ian Page launched his and the Mozartists’ (then Classical Opera’s) remarkable endeavour to play music by WA Mozart 250 years after...