Gregory Batsleer
Articles By Gregory Batsleer
latest in today
Not-quite-solitude on the 34th floor: violinist Maxine Kwok...
2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the...
County Lines review - a scary descent into drug-dealer purga...
This debut feature by writer/director Henry...
Natalie Palamides: Nate: A One Man Show, Netflix review - de...
Edgy comedy runs the risk of discomfiting the...
Album: High Contrast - Notes From the Underground
Dance music has a notably different relationship to...
Zanele Muholi, Tate Modern review - photography as protest
Hail the Dark Lioness (Somnyama Ngonyama in Zulu) is a powerful celebration of...
Mank review – David Fincher’s brilliant, bitter-sweet paean...
For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw...
Mary Chapin Carpenter, One Night Lonely livestream review -...
Mary Chapin Carpenter’s Songs from Home has been an anchor-point almost since the beginning of lockdown for many people, all of us invited into...
Collective review - waging war on corruption
It was around the time of the 14th century Black Death that the word “corruption” – from the Latin corruptus, the past participle of ...
Album: Nick Cave & Nicholas Lens - L.I.T.A.N.I.E.S.
The Covid pandemic has meant, with both performance and recording opportunities at a minimum, that many musicians have had to apply a bit of...
The Undoing, Series Finale, Sky Atlantic review - bluff and...
Throughout its preceding five episodes, The Undoing (...