wed 10/08/2022

Guildhall School of Music and Drama

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Articles By Guildhall School Of Music And Drama

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Edinburgh Fringe 2022 reviews: Colin Hoult / Nick Helm / Sus...
Colin Hoult: The Death of Anna Mann, Pleasance Courtyard ★...
Album: Danger Mouse & Black Though - Cheat Codes

The last time Danger Mouse (Brian Burton to his mum) dropped a hip hop album, it was 2005’s...

All of Us, National Theatre review - revelatory, but problem...

Has the pandemic made us more angry? Although Francesca Martinez’s debut play, which is at the...

Edinburgh Fringe 2022 reviews: The Last Return / Psychodrama...

The Last Return, Traverse Theatre ...

theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled m...

It is mid-way through the new Ring cycle, and we are taking lunch outside the old town hall on the high street in Bayreuth. Discussion at...

Edinburgh Fringe 2022 reviews: Kathy and Stella Solve a Murd...

Kathy and Stella Solve a Murder!, Summerhall ...

Prom 27, Dinnerstein, National Youth Orchestra, Gourlay revi...

Danny Elfman – the punk rocker-turned-film composer behind Batman, Spider-Man, Edward Scissorhands and The Simpsons...

Burn, Edinburgh International Festival 2022 review - bold, r...

In retrospect, all the clues were there. A star actor embarking on a new performance genre; a fresh reappraisal of one of...

Utopia, Limited, National Gilbert & Sullivan Opera Compa...

Joseph Heller grew tired of being told that he’d never written anything as good as Catch 22. ‘Who has?’, he'd retort. In the same...

Edinburgh Fringe 2022 reviews: Boy / Intruder|Intruz

Boy, Summerhall

Nature or nurture?...