tue 16/08/2022

Harry Freedman

Articles By Harry Freedman

latest in today

Prom 39, Hartwig, BBCSO, Oramo review - bright and breezy fo...

Two quirky concertos – one for orchestra, though it might also be called a sinfonietta – and a big symphony: best of British but, more important,...

Room, Edinburgh International Festival 2022 review - decaden...

"I feel I owe you an explanation." That much James Thierrée concedes partway through his sprawling, freewheeling, dream-like, hallucinatory ...

First Person: tenor Cyrille Dubois on recording all Fauré...

The year 2024 will commemorate the 100th anniversary of the death of the phenomenal Gabriel Fauré. For Tristan Raës and me, who have been...

Edinburgh Fringe 2022 reviews: Randy Feltface / Sarah Keywor...

Randy Feltface, Assembly George Square ...

Salome, Bergen Philharmonic Orchestra, Gardner, Edinburgh In...

It is quite some years, if not decades, since the Edinburgh Interntional Festival had any claim to be a festival of staged opera. This year we...

Blu-ray: The Saphead

Buster Keaton made his name in a series of two-reel shorts made from 1917 onwards; The Saphead, from 1920, was his first starring...

La Voix humaine/Les Mamelles de Tirésias, Glyndebourne revie...

“Variety is the spice of life! Vive la difference!,” chirrups the ensemble at the end of this giddying double bill. And there could hardly be more...

Germany / The 1920s / New Objectivity / August Sander, Centr...

The businessman in Heinrich Maria Davringhausen’s Der Schieber (The Profiteer), 1920-1921 sits several floors above the city streets,...

Edinburgh Fringe 2022 reviews: Ania Magliano / Leo Reich / C...

Ania Magliano, Pleasance Courtyard ...