mon 18/10/2021

Hugh Pearman

Articles By Hugh Pearman

latest in today

Ridley Road, BBC One review - Jewish community fights Nazi n...

Neo-Nazis held a Trafalgar Square rally under the banner "Free...

The Beauty Queen of Leenane, Lyric Hammersmith review - matc...

“You can’t kick a cow in Leenane without some bastard holding a grudge for 20 years,” sighs Pato Dooley (Adam Best) prophetically...

Music Reissues Weekly: Fire - Father's Name Is Dad, Flo...

Between August 1966 and November 1967, The Syn played 36...

Blu-ray: La Dolce Vita

One of those films weighed down by a considerable reputation, La Dolce Vita (1960) is rarely taken as seriously as it should be. From the...

The Dante Project, Royal Ballet review - a towering achievem...

Unless you happen to be a student of Italian language or culture, the significance of the 14th-century...

The Cherry Orchard, Windsor Theatre Royal review - Tolstoy m...

The cherry orchard in Anton Chekhov’s eponymous play is a...

Album: Jarvis Cocker – Chansons d’Ennui Tip-Top

Wes Anderson and Jarvis Cocker do...

Macbeth, Almeida Theatre review – vivid, but much too long

Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening lines, “When shall we three meet again?”, a phrase...