mon 02/06/2025

Ismene Brown

Ismene Brown's picture
Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

Blu-ray: Eclipse

What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...

The Ballad of Wallis Island review - the healing power of th...

I think The Ballad of Wallis Island is the best...

Music Reissues Weekly: Pete Shelley - Homosapien, XL-1

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...

The Salt Path review - the transformative power of nature

“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...

Elephant, Menier Chocolate Factory review - subtle, humorous...

This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...