fri 26/09/2025

Linda Esther Gray

Articles By Linda Esther Gray

latest in today

'We are bowled over!' Thank you for your messages... ...
Lacrima, Barbican review - riveting, lucid examination of th...

So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every...

Joanna Pocock: Greyhound review - on the road again

Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her...

Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester r...

Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist...

Mariah Carey is still 'Here for It All' after an e...

One of the great moments of Private Eye magazine’s fustiness in recent years was putting Mariah Carey in Pseud’s Corner, for the quote about how...

Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...