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Nick Hasted

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Bio
Nick Hasted has been a film journalist since 1986. As well as The Arts Desk, he currently writes about film, music, books and comics for The Independent, Uncut, Jazzwise and Classic Rock. He has published three books: The Dark Story of Eminem (2002), You Really Got Me: The Story of The Kinks (2011), and Jack White: How He Built An Empire From The Blues (2016).

Articles By Nick Hasted

Red State

Thursday, 29 September 2011 Read more...

Drive

Saturday, 24 September 2011 Read more...

Page One: Inside the New York Times

Monday, 19 September 2011 Read more...

Troll Hunter

Thursday, 08 September 2011 Read more...

Days of Heaven

Friday, 02 September 2011 Read more...

Fright Night

Wednesday, 31 August 2011 Read more...

Kill List

Monday, 29 August 2011 Read more...

DVD: Colossal Youth

Tuesday, 16 August 2011 Read more...

Cowboys & Aliens

Monday, 15 August 2011 Read more...

Elite Squad: The Enemy Within

Friday, 12 August 2011 Read more...

Salt of Life

Monday, 08 August 2011 Read more...

A Better Life

Tuesday, 26 July 2011 Read more...

DVD: The Kremlin Letter

Monday, 25 July 2011 Read more...

Socialisme

Friday, 08 July 2011 Read more...

Transformers: Dark of the Moon

Tuesday, 28 June 2011 Read more...

Kung Fu Panda 2

Tuesday, 07 June 2011 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...