Nick Hasted
Bio
Nick Hasted has been a film journalist since 1986. As well as The Arts Desk, he currently writes about film, music, books and comics for The Independent, Uncut, Jazzwise and Classic Rock.
He has published three books: The Dark Story of Eminem (2002), You Really Got Me: The Story of The Kinks (2011), and Jack White: How He Built An Empire From The Blues (2016).
Articles By Nick Hasted
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Dealer's Choice, Donmar Warehouse review - fresh take o...
Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...
theartsdesk Q&A: director Leonardo Van Dijl discusses hi...
"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has...
Album: Lael Neale - Altogether Stranger
Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By...
Much Ado About Nothing, RSC, Stratford - Messina FC scores o...
Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....
Zsuzsanna Gahse: Mountainish review - seeking refuge
Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters....
DVD/Blu-ray: All We Imagine as Light
All We Imagine as Light focuses on the lives of three women in contemporary...
Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...
I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...
Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...
Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...
Mahler 8, LPO, Gardner, RFH review - lights on high
Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...