sat 25/09/2021

Paul Lewis

Articles By Paul Lewis

latest in today

The Last Five Years, Garrick Theatre review - bittersweet mu...

Much has happened in the five years since your reviewer braved the steep rake at The Other Palace and saw The Last Five Years...

Gagarine review - hazy cosmic jive in a Paris banlieue

This is the story of a boy and a building. Sixteen-year-old Youri (newcomer Alseni Bathily) lives, with his telescope, in Cité Gagarine, a vast...

Album: Black Dice - Mod Prog Sic

There’s a strand of music that a friend of mine once referred...

Nicola Benedetti, Barbican Hall review – from Bach to the Hi...

If a standard-sized recital hall can be a lonely place for a solo violinist, playing an auditorium of Barbican dimensions must feel like crossing...

Creature, English National Ballet, Sadler's Wells revie...

If a new ballet can be doomed by the weight of expectation, then...

'Rest now, you God': remembering bass-baritone Nor...

Few singers really change your life. Norman Bailey did that for me [writes David Nice of theartsdesk]. The occasion wasn't my first experience of...

Barry Adamson: Up Above the City, Down Beneath the Stars rev...

For those not familiar with the murkier corners of British rock...

The Ballad of Billy McCrae review - beware the quarryman...

An entertaining but undernourished industrial-domestic neo-noir set in South...

Album: Amon Tobin - How Do You Live

Amon Tobin is hard to pin down. His music has mutated over the years. He initially fitted in with Ninja Tune’s late-Nineties/early-Noughties...