Ryan Gilbey
Bio
was named Reviewer of the Year in the 2007 Press Gazette Magazine Awards. He is the film critic of the New Statesman and also contributes to the Guardian and Sunday Times. He is the author of It Don’t Worry Me, about the American cinema in the 1970s, and a study of Groundhog Day in the BFI Modern Classics series.
Articles By Ryan Gilbey
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Die Zauberflöte, Royal Academy of Music review - first-rate...
Tamino in the operating theatre hallucinating serpents? Sarastro’s people wheeling lit-up plasma packs? From the central part of the Overture...
Two Strangers Trying Not to Kill Each Other review - a portr...
Two Strangers Trying Not to Kill Each Other is a documentary portrait of photographer Joel Meyerowitz, acclaimed for his...
The Alto Knights review - double dose of De Niro doesn'...
The power struggle between New York crime bosses Vito Genovese and Frank Costello is one of the foundational stories of the American Mafia, though...
Album: The Horrors - Night Life
For fans of The Horrors, the headline here is that, 20 years into the career, for their sixth album, the band have lost two of their founding...
theartsdesk Q&A: director François Ozon on 'When Au...
François Ozon is France’s master of sly secrets, burying hard truths in often dazzling surfaces, from Swimming Pool’s erotic mystery of...
Il trionfo del Tempo e del Disinganno, Irish Baroque Orchest...
Imagine if Bach had set Cardinal Benedetto Pamphili’s allegory of Beauty breaking free from Pleasure with the guidance of Time and Enlightenment:...
Mercury Rev, Islington Assembly Hall review - the august US...
The body language fascinates. Mercury Rev’s frontman Jonathan Donahue could be playing a theramin. The arm movements fit the bill, yet the...
Santosh review - powerful study of prejudice and police corr...
Held up by the censors in India though screened at Cannes and nominated for an International Oscar, Sandhya Suri’s 2024 film ...
Romeo and Juliet, Royal Ballet review - Shakespeare without...
1965 was a year of change in Britain. It saw the abolition of the death penalty and the arrival of the Race Relations Act. It was the year of the...