Ryan Gilbey
Bio
was named Reviewer of the Year in the 2007 Press Gazette Magazine Awards. He is the film critic of the New Statesman and also contributes to the Guardian and Sunday Times. He is the author of It Don’t Worry Me, about the American cinema in the 1970s, and a study of Groundhog Day in the BFI Modern Classics series.
Articles By Ryan Gilbey
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Pimpinone, Royal Opera in the Linbury Theatre review - farce...
Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...
Krapp's Last Tape, Barbican review - playing with the l...
In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...
Formula E: Driver, Prime Video review - inside the world...
The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...
Do Ho Suh: Walk the House, Tate Modern review - memories are...
A traditional Korean house has appeared at Tate Modern....
Die Walküre, Royal Opera review - total music drama
Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...
Georgia Mancio, Alan Broadbent, Pizza Express Dean Street re...
Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based vocalist/lyricist...
The Extraordinary Miss Flower review - odd mashup of music,...
The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie...
Borrowed Time: Lennon's Last Decade review - how the gr...
Purporting to be a documentary about John Lennon in the 1970s, Borrowed Time is no such thing....