Sean Gandini
Articles By Sean Gandini
latest in today
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
![Shout it out: Brie Larson as Elektra](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/elektra1.jpg?itok=9Wfmo98V)
We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to account for the...
![Carolin Widmann, Antonio Pappano and the LSO in Bernstein's 'Serenade'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/LSO%20Pappano%20W%201.jpg?itok=n5GHsnTo)
Perhaps all great music counterpoints and comments on the times, but Antonio Pappano and the London Symphony Orchestra have been searingly...
![Wolves and sheep: Barry Keoghan as Jack](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/bringthemdownjacktruck.jpg?itok=zX2fbLSX)
“You know what they say: where there’s livestock, there’s dead stock,” says Jack (a brilliant Barry Keoghan). Never a truer word. There’s an awful...
![Rats on Rafts' 'Deep Below': the 4AD-style sleeve image may be no coincidence](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Rats%20on%20Rafts%20Deep%20Below_1000.jpg?itok=V-IPY6mG)
Deep Below’s first track is titled “Hibernation.” “A winter breeze blows through my mind,” intones a colourless, dispirited male voice....
![To life: Tim McMullan and Alison Halstead in rehearsal](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/morelife1.jpg?itok=Kudmr4l5)
It started with a Guardian long-read. I’m ashamed to admit it since so many shows could say the same, but that was the beginning.
It was the...
![Dysfunctional family: Count Almaviva's household loses its grip on sanity in Joe Hill-Gibbins' production](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/rsz_the_cast_of_eno%E2%80%99s_the_marriage_of_figaro_2025_%C2%A9_zoe_martin_1.jpg?itok=48dgt3uM)
Who’s in and who’s not – on the secret, the joke, the relationship, the family, the club? That’s the fulcrum of Joe Hill-Gibbins’ ingeniously...
![A whole new ballgame: Leonie Benesch and John Magaro in 'September 5'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Munich%201.jpg?itok=nA5LU0SH)
There’s a common understanding about journalists, especially ones at the top of their game, that they’re flying by the seat of their pants –...