sat 14/12/2024

Simon O'Hagan

Articles By Simon O'Hagan

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Bogart: Life Comes in Flashes review - a Hollywood legend,...

It might be a push to call this documentary a feminist slant on Humphrey Bogart, but it wouldn’t quite be a shove. Northern Irish filmmaker...

Sujo review - cartels through another lens

It’s not often we hear barely a single gunshot in a movie set amid Mexican drug cartels, but that may be the way it is for people who actually...

Album of the Year 2024: Meemo Comma - Decimation of I

I don’t really want to talk about this year. Genuinely.

It’s been so horrific on the macro scale with deranged Fascism and the effects of...

Queer review - Daniel Craig meets William Burroughs

Judging by a Sunday Times interview last weekend, Daniel Craig now enjoys wearing brilliantly-coloured sweaters and extraordinary...

The Legends of Them, Royal Court review - reaching out for s...

I live in Brixton, south London. To get to the tube, I have to cross Windrush Square. Since 2021, I go past the Cherry Groce memorial, which...

William J. Mann: Bogie & Bacall review - beyond the scre...

What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question...

Album of the Year 2024: Amelia Coburn - Between the Moon and...

I’ve known for some time that Ariel Sharratt & Matthias Kom’s Never Work is my Album of the Year. This lividly witty...

The Lord of the Rings: The War of the Rohirrim review - a mi...

Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy...