thu 30/11/2023

book reviews and features

Annie Ernaux: Shame review - the translation of pain

India Lewis

The latest translation of Annie Ernaux’s Shame – a text most closely akin to a long-form essay – is an...

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Warhol, Velázquez, and leaving things out: an interview with Lynne Tillman

Alice Brewer

Motion Sickness (1991) is the second novel published by the writer, art collector and cultural critic Lynne Tillman. It is difficult,...

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Celia Dale: Sheep's Clothing review - unsettling, mundane, and right on-trend

CP Hunter

Celia Dale published 13 novels between 1944 and her death in 2011. A majority of her these are often categorised – albeit loosely – as...

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Lutz Seiler: Pitch & Glint review - real verse power

Jack Barron

Reading the torrent of press-releases and blurbs on the many – and ever-growing – contemporary poetry collections over time, one starts to notice a distinct recurrence of certain buzzwords: ...

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Zadie Smith: The Fraud review - the trials we inherit

India Lewis

Zadie Smith’s latest novel, The Fraud, is her first venture into historical fiction – a fiction based...

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Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approach

Alice Brewer

Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins...

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Marie Darrieussecq: Sleepless review - in search of lost sleep

Jack Barron

“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into...

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Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy

Bernard Hughes

Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following...

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Masha Karp: George Orwell and Russia review - dystopia's reality

Hugh Barnes

The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to...

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Henry Hoke: Open Throat review - if a lion could speak

India Lewis

I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it...

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latest in today

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

A Christmas Carol, The Old Vic review - older, wiser, and ye...

Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...

Boat Story, BBC One review - once upon a time in Yorkshire

It was as long ago as January last year that the prolific Williams brothers,...

Dariescu, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

John Storgårds found himself literally facing both ways for the third item on the BBC Philharmonic’s programme on Saturday: towards the audience,...

Mark Rothko, Fondation Louis Vuitton, Paris review - a show...

The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition...

Blu-ray: King and Country

British anti-war films inspired by “the war that” failed “to end all wars” include Oh! What a Lovely War, The Return of the Soldier...

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