thu 19/06/2025

Books

Joseph Andras: Tomorrow They Won't Dare to Murder Us review - injustice and tenderness in the Algerian War

Joseph Andras wastes no time. “Not a proud and forthright rain, no. A stingy rain. Mean. Playing dirty.” This is how his debut novel kicks off, and it’s a fitting start for his retelling of the arrest, torture, one-day trial and subsequent execution...

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Karla Suárez: Havana Year Zero review - maths, phones and mysteries in down-at-heel Cuba

Havana, 1993. Far away, the fall of the Soviet empire has suddenly stripped Fidel Castro’s Cuba of subsidy and protection, while the US blockade strangles options for an economic reboot close to home. State-imposed “austerity” ushers in the “Special...

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theartsdesk Q&A: Amina Cain on her first novel and her eternal fascination with suggestion

Amina Cain is a writer of near-naked spaces and roomy characters. Her debut collection of short fiction, I Go To Some Hollow (Les Figues, 2009), located itself in the potential strangeness of everyday thoughts and experience. Her second, Creature (...

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Jackie Kay: Bessie Smith review – vivid writing about the Empress of the Blues

Blues singer Bessie Smith (1894-1937) had much more than an astonishingly powerful voice. It may already be almost a hundred years since she made her most significant recordings – she is from an era before amplification –  and yet her unfailing...

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Patricia Lockwood: No One is Talking About This review - first novel goes beyond the internet

This is a novel, says Patricia Lockwood in her Twitter feed, about being very inside the internet and then being very outside of it. At first, I thought the title referred to aspects of the internet and its disappearing history, as in, “'MySpace was...

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CLR James: Minty Alley review - love and betrayal in the barrack-yard

CLR James came to London from Trinidad in 1932, clutching the manuscript of his first and only novel. He soon found work, writing about cricket for the Manchester Guardian, as well as a political faith, revolutionary Trotskyism, which would inspire...

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Tabitha Lasley: Sea State review - a one-woman odyssey through UK oil

Straight off the bat, Tabitha Lasley’s soon-to-be ex-boss points out the fatal flaw in her life-changing project. Jettisoning her job at a women’s magazine, a long-term boyfriend, a cramped London flat (after it’s broken into) and friends in her mid...

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Francis Spufford: Light Perpetual review - time regained

On 25 November 1944, a German V2 rocket struck the Woolworths store in New Cross at Saturday lunchtime. It killed 168 people. Francis Spufford’s second novel begins with this “hairline crack” in existence; a mere nanosecond of high-explosive...

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Alice Ash: Paradise Block review - a matrix-like collection that reinvents the short story genre

“Burglar alarms jangled through the empty hallways of Paradise Block.” In this ramshackle, lonely tenement, such alarms might be one’s only company. Yet, in this intricate collection of short stories, the inhabitants’ lives intertwine. Alice Ash’s...

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Eddie S Glaude Jr: Begin Again - James Baldwin's America and Its Urgent Lessons for Today review - can America avoid the fire this time?

I suspect that the work of James Baldwin is not all that familiar to readers in Britain, perhaps not even to black readers in Britain – just as, for a time at least, it seemed that Martin Luther King, a much more visible figure in black history...

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Olivia Sudjic: Asylum Road review - trauma, barely suppressed

In Asylum Road, Olivia Sudjic's third book, everything is purposeful, each loaded gun introduced just waiting to go off. It has something of the lightness of Rachel Cusk, but is loaded with the weight of Balkan history which cannot be...

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Raven Leilani: Luster - portrait of the artist as a black millennial woman

One of the finer episodes in Raven Leilani’s startling debut (which contains an embarrassment of fine episodes) comes about halfway through, when Edie, our young, struggling black narrator, starts working as a rider for a “popular in-app delivery...

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