fri 26/09/2025

book reviews and features

Amalie Smith: Thread Ripper review - the tangled web we weave

Hannah Hutching

Sitting in the park on a hot summer’s day, life began to imitate art. I had been soaking up the sun’s now overpowering rays for over an hour and was beginning to feel its radiating effects.

...

Read more...

Phoebe Power: Book of Days review - the clack of walking poles, the clink of scallop shell

Harriet Mercer

The word “shrine” somersaults me back to the path of the Camino de Santiago. I have lost count of the faces that smiled up from photos positioned in the hollow of trees, some with little plastic...

Read more...

Jessie Burton: The House of Fortune review - a muted, sensitive sequel

India Lewis

A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a million people. Yet Jessie Burton’s The House...

Read more...

Katya Adaui: Here Be Icebergs review - odd relations

India Lewis

The title of Katya Adaui’s debut collection in English is taken from one of the 12 short stories it contains: an...

Read more...

Stanislav Aseyev: In Isolation - Dispatches from Occupied Donbas review - journeys through space and time in Ukraine

Hugh Barnes

Stanislav Aseyev is a Ukrainian writer who came in from the cold. Until the spring of 2014, he was an aspiring...

Read more...

Mieko Kawakami: All the Lovers in the Night review - the raw relatability of loneliness

Izzy Smith

Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of...

Read more...

Philip Ball: The Book of Minds review - thinking about the box

Jon Turney

Years ago, one of the leading mathematicians in the country tried to explain to me what his real work was like. When he was on the case, he said, he could be doing a range of other things – having...

Read more...

10 Questions for art historian and fiction writer Chloë Ashby

Hannah Hutching

“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut...

Read more...

Kim Hye-jin: Concerning My Daughter review - room for complication

Rojbîn Arjen Yigit

In this best-selling Korean novella, recently translated into English by Jamie Chang, Kim Hye-jin offers us the perspective of a Korean...

Read more...

Alyn Shipton: On Jazz - A Personal Journey - digging jazz deeply and musically

Sebastian Scotney

“I suppose you’re going to ask all the usual questions...?” When Keith Jarrett was interviewed by Alyn...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Mariah Carey Is Still 'Here for It All' After an E...

One of the great moments of Private Eye magazine’s fustiness in recent years was putting Mariah Carey in Pseud’s Corner, for the quote about how...

Joanna Pocock: Greyhound review – on the road again

Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her...

Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester r...

Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist...

Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...

Album: Solar Eyes - Live Freaky! Die Freaky!

Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats...

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters