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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck...
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and,...
Blue Road: The Edna O'Brien Story - compelling portrait...
“I was born with the ability and the demon to write. I have been punished for it constantly.” Written and directed by Sinéad O’Shea, this...
Album: Ronny Graupe's Szelest - Newfoundland Tristesse
In this new album, three top-flight musicians based in Berlin, guitarist Ronny Graupe, Lucia Cadotsch (voice) and Kit Downes (piano) work...
Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard B...
The name Arthur Bliss always summoned up for me the image of a fuddy-duddy old buffer writing boring music. But as I’ve discovered his work over...
Album: Gigspanner Big Band - Turnstone
For lovers of British folk from the 1970s on, Peter Knight is a potent force – renowned for his years with Steeleye Span, in their 1970s heyday...
All the Happy Things, Soho Theatre review - deep feelings, b...
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...
London Choral Sinfonia, Waldron, Smith Square Hall review -...
The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I...
The Forsythe Programme, English National Ballet review - bra...
It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...