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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Stile Antico, Wigmore Hall review - a glorious birthday cele...
There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...
House of Games, Hampstead Theatre review - adapted Mamet scr...
There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...
PUP, SWG3, Glasgow review - controlled chaos from Canadian p...
According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...
Zoe Lyons, Touring - midlife, without the crisis
Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...
The Last Musician of Auschwitz review - a haunting testament...
“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...
Giulio Cesare, The English Concert, Bicket, Barbican review...
Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...
Hallé, Elder, Bridgewater Hall, Manchester review - premiere...
Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...
DVD/Blu-ray: Slade in Flame
Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...