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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Habits, Hampstead Theatre review - who knows what advent...
“The exercise of fantasy is to imagine other ways of life,” says one of the role-players during a Dungeons & Dragons marathon, because “...
Levit, Budapest Festival Orchestra, Fischer, RFH review - an...
A showstopper for starters followed by dark depths, a quirky compilation after the interval: it’s what you might expect from Iván...
Farewell Mister Haffmann, Park Theatre review - French hit o...
When Yasmina Reza’s cerebral play Art arrived in London in 1996, we applauded it as a comedy. Now another French hit,...
Album: Coheed and Cambria - The Father of Make Believe
The Father of Make Believe is the latest instalment in the cinematic fantasy world that Coheed and Cambria have meticulously crafted over...
theartsdesk Q&A: Raoul Peck, director of the documentary...
With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film...
Jonathan Buckley: One Boat review - a shore thing
One Boat, Jonathan Buckley’s 13th novel, captures a series of...
Blu-ray: The Barnabáš Kos Case
One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in...
A Form of Exile: Edward Said and Late Style, CLS, Wood, QEH...
You could plan an entire concert season around the theme of “late style”, its paradoxes and variations. For this one-off, many of us expected a...
Edward II, RSC, Swan Theatre, Stratford review - monarchs, m...
“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang.
Tamara...