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latest in today
Bluets, Royal Court review - more grey than ultramarine
When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie...
Sheffield Chamber Music Festival 2024 review - curator Steve...
“Saint-Saëns: The Renaissance Man” proclaimed the big screen at the first remarkable programme I attended within the 2024 Sheffield Chamber Music...
Now You See Us: Women Artists in Britain 1520-1920, Tate Bri...
Tate Britain’s Now You See Us could be the...
Blu-ray: Two Films by Yasujirō Ozu
It’s interesting to discover that sound wasn’t the norm in Japanese...
Sphinx Organization, Wigmore Hall review - black performers...
Kudos to the Wigmore Hall for continuing to make efforts to diversify its roster of performers and repertoire. Last year I reviewed the...
Travels Over Feeling: The Music of Arthur Russell, Barbican...
Last night’s Travels Over Feeling: The Music of Arthur Russell (a concert in part accompanying the recent publication of a book about his...
Album: Richard Thompson - Ship to Shore
Any Richard Thompson appearance comes with a hallmark guaranteeing quality produce – be that an album or a stage show.
...
Music Reissues Weekly: Jon Savage's The Secret Public -...
Jon Savage's The Secret Public How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979 accompanies the titular author/...
Jerry’s Girls, Menier Chocolate Factory review - just a para...
Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that,...
