Ben Okri, Brighton Festival 2019 review - adventures in writing | reviews, news & interviews
Ben Okri, Brighton Festival 2019 review - adventures in writing
Ben Okri, Brighton Festival 2019 review - adventures in writing
A conversation with the novelist, playwright, poet and essayist on why we all need to question everything more
If there’s one thing to learn from Ben Okri in this evening of conversation at Brighton Festival between the Famished Road writer and author Colin Grant it’s how to “upwake”.
The phrase, coined in his new (11th) novel The Freedom Artist – a post-truth fable set in an imagined future – describes a retaliation state after people find themselves unable or unwilling to think for themselves. He describes it as being the opposite of waking up, which is a slow uprising – being upwake is swift, vertical and immediate. It’s the need to question, and the challenging of blind acceptance.
He speaks of how words are not separate from reality, how myth shapes and affects our reality: “A book is not just the words. It’s a symbol of living, wisdom, memory and imagination. A book is a repository of secret dreams.” He talks about how power can de-stabilise the link to our truths which creates a butterfly effect in the re-telling of the story. It’s a warning – a battle cry almost, into how easy it is and what happens when fundamental myths are re-written by those in power.
Naturally, the conversation is drawn towards the NHS, Brexit, migration, Grenfell – Okri reads an excerpt from his poem In Praise of Notre Dame, speaking of “turbulence in the streets rotating anger in the air; division across the seas; swans of peace living in fear… Angels have fallen like tears, the winding stairs lead nowhere.”
Throughout Grant tries to nudge Okri into realms popular culture pattern matches, and their discourse is peppered with literary references to such as Seamus Heaney, Tolstoy, Camus. And throughout, Okri is having none of it. He doesn’t do as he’s told, playfully preferring to read different passages to the ones he’s asked to, steering the conversation from structured to casual, ambling and meandering through personal stories of his mother’s tales (or lack thereof), how he has been homeless, learned to live in doorways and read in the dark and how he has also won an OBE and the Booker Prize. He is a living example of how to re-version your own myth, if you follow your truth.
And this is where we are encouraged to “upwake” – to question – as “justice is not something to be left to the state, it’s a birth right”. So lean in when you listen. Ask questions in the middle. Because it’s everybody’s right to dream a myth of how the world should be.
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Add comment