The Berlusconi Show, BBC Two | reviews, news & interviews
The Berlusconi Show, BBC Two
The Berlusconi Show, BBC Two
Italy's longest-serving PM - a clown or someone more sinister?
Imagine if Rory Bremner had been banned from British television for the past 20 years, and Gordon Brown had put pressure on the BBC to get rid of Question Time because it had been critical of him. In the Italy of Silvio Berlusconi these things happen.
Ironically reporter Mark Franchetti, returning to his birthplace for BBC Two's This World strand after 25 years living in Britain, walked straight into a 200,000-strong anti-Berlusconi rally in Rome when he went to investigate Italy’s ongoing infatuation with the old rogue. For the country’s longest-serving post-war prime minister, it’s been a year of living dangerously - 12 months of repeated sex scandals and ongoing allegations of tax evasion and mafia connections were capped in December when Berlusconi was attacked in Milan, the only blow that seems to have landed on a political survivor who still, after everything (and despite the hostile rally) scores a far higher approval ratings than any other western leader.
Why do people keep voting for him? It seems that Italians can forgive his predilection for girls young enough to be his granddaughters (“everybody in Italy loves beautiful women,” says one of his allies, gamely fulfilling the national stereotype), while Italians are only too happy to turn a blind eye to tax evasion and other financial irregularities. In return he gives them stability and glamour. Oh, and draconian immigration laws that go with being in a coalition government with Lega Nord, one of the most far-right parties in Europe.
The Milanese bank clerk’s son and former cruise-ship crooner apparently has the gift of talking directly to the people in language they understand – he’s a gifted demagogue in other words. Berlusconi came to power within three months of entering politics, his party, Forza Italia, a slogan borrowed from the football terraces, sweeping to power on the familiar promise of change and enrichment. But what were Berlusconi’s motives for going into politics? After all, he already had a virtual monopoly of the country’s commercial TV stations, owned AC Milan and was reckoned to be the richest man in Italy. His patriotic motive seems to have been to avoid bankruptcy and to keep himself out of prison, as he once apparently admitted to journalists. As one of his opponents put it, surveying the allegations of falsified balance sheets, avoided taxes and shady dealings with the mafia, “instead of becoming a fugitive from justice, he became a politician”. We tend to do it the other way round in this country.
One of the first things Berlusconi did on gaining office was to try and curb the power of the magistrates who had been making his life so bothersome - the first of at least 18 laws devised to meet his own personal interests. Even so, by his own account, Berlusconi has been interviewed 587 times by the police, and summoned to court 2,500 times, since becoming prime minister, a hounding that puts the current MPs expenses scandal and subsequent court hearings into some sort of perspective. The most serious charge against him is his long association with the Sicilian mafia, the Cosa Nostra, an alliance that began back in the businessman-kidnapping 1970s when he hired some mafia muscle to protect his family. As Franchetti observed - once in debt to the mafia, always in debt to the mafia.
Besides this allegation (depressingly habitual in Italian politics), the call girls and the teenage girlfriends seem like an irrelevant sideshow, although you might say they reflect on his character. Much was made of the 73-year-old’s stamina, but frankly the “wild parties” sound a bit of a drag, one "escort girl" recalling him playing videos of meeting George Bush and (oh, what fun) the G8 summit. As a reward, Berlusconi attempted to make her a candidate for the European elections, along with a Miss Italy finalist, three models and a Big Brother contestant – Berlusconi having introduced the reality show to Italy. This time, somehow or other (for, the mafia links apart, he seems to feel no shame), he was persuaded that he was going too far.
The problem seems to be the complete lack of a credible, or even visible (remember that Berlusconi rules the airwaves) alternative. When they do find one, reckoned the long-banned satirist Beppe Grillo, welcoming BBC into his home with all the pent-up glee of an entertainer long denied an audience, Italians will wake up and wonder how they ever allowed this man and his associates to govern them. You hope he’s right – and not the old-timer we saw having a haircut and reminiscing about Mussolini. Berlusconi may not be as bad as Il Duce, but there are echoes of the old autocrat in his style and his ascent to the top – even if he used the muscle of media control, instead of the brawn of the Blackshirts, to help him get there.
The Berlusconi Show was good, solid, old-school journalism, although I’d liked to have known more about Berlusconi’s early business career - we seemed to jump from him buying his first property as a developer in the early 1960s to his opening his first TV stations, with their mix of American soaps and topless housewives, in the 1980s. And I would have liked to hear more from a wider section of Italian womanhood than those interviewed here, to find out what they think about this man “who loves women”. But perhaps the role of females in Italian society is an altogether different documentary. Despite some undeniably comic moments, this one sufficed to enlighten us distant observers that whatever else Berlusconi may be, he isn’t just a joke.
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Comments
...
...
...
...