Features
Christopher Lambton
Ronald Stevenson, who died on Saturday at the age of 87, was a composer and pianist who will be much missed both in the small Borders village where he lived and by the much larger musical community in Scotland and beyond. As a composer he was unashamedly rooted in the late 19th Century tradition of intellectual pianism – in his music you can trace a line of descent from Bach to Liszt through his great hero Busoni. He believed passionately in the “primacy of melody”; he loathed The Rite of Spring and in his polemical book on Western music (Kahn and Averill, 1971) he reflects that the “impact Read more ...
Jasper Rees
One night in Cape Town, I was caught in a power cut. Like an untenanted theatre, the city went utterly dark, darker than perhaps it had been since settlers first arrived three centuries earlier. Street lamps, restaurants, car showrooms, offices were all plunged into Stygian gloom. Without traffic lights to impose order, we drove tentatively over the shoulder of Table Mountain and suddenly, sprawled out on the Cape Flats and shining as brightly as the stars overhead, were Guguletu and Khayelitsha. The lights were on in the townships.In purely theatrical terms, the symbolism of this image is Read more ...
Demetrios Matheou
Nominated for Best Foreign Language film at this year’s Oscars, Wild Tales is that rarity, a portmanteau film; even rarer, it’s a good one. Though unconnected by plot or character, the six darkly comic stories are bonded by themes of revenge and fighting back – against cheating lovers, bad drivers, rank bureaucracy, the crook who ruined your life. It’s about people who cross a line most of us only fantasise about.A big hit on the festival circuit prior to its Oscar nomination, the film has launched its 39-year-old writer/director into the spotlight. Not that Argentina's Damián Szifron Read more ...
Peter Culshaw
Cheikh Lô , the much loved Senegalese singer, is back with new recordings for the first time in five years with a three track EP trailing a new album in June, and theartsdesk has an early look at his new video for the lead track “Degg Gui” (see below).The EP is a typically adventurous mix of styles – “Degg Gui” includes a vocal contribution from much touted Brazilian singer Flavia Coelho (her own reggae-soaked debut Mundo Meu is out in May, when she is performing in London) and also features the Parisian based accordionist Fixi, who has been known to record squeezebox hip-hop tracks.The Read more ...
David Nice
I’ve just spent five weeks in the company of a very austere and sometimes frightening masterpiece, Sibelius’s Fourth Symphony, hearing a great many recordings of it for Building a Library, the abiding gem of Radio 3’s CD Review in which the critic takes the listener through the piece and chooses a front runner. Now that I’ve reached the finishing post, having scripted the three-quarters-of-an-hour slot with all the snippets from the best and worst of the various recordings - the middle-grounders rather lose out - people are inclined to ask, “ain’t you sick of it?”. Far from it. The Read more ...
peter.quinn
Compered by the velvet-toned broadcaster Moira Stuart, the winners of this year's Parliamentary Jazz Awards were announced last night in a packed Terrace Pavillion at the House of Commons.Now in their eleventh year, the Awards are organised by the All Party Parliamentary Jazz Appreciation Group (APPJAG) and, since the sad demise of the BBC Jazz Awards, are now the UK's premier awards for the jazz community. Sponsored by the music licensing company PPL, this year's awards included more artist-focused categories, reflecting the incredible breadth and depth of the UK jazz scene.Special guest Read more ...
David Nice
Having been bowled over by the total work of art English National Opera made of Wagner’s The Mastersingers of Nuremberg on its first night, I bought tickets immediately afterwards for the final performance. So I’m off tonight to catch the farewell of what has been an unqualified triumph for the company. Yet only last Thursday an unsolicited email arrived from Amazon Local – there’s no stopping them, it seems – offering tickets for this very show at 40 per cent discount.Now, it’s bizarre that, given the high levels of Wagnerolatry in London, any of the composer's operas doesn’t sell out before Read more ...
Polly Teale
As a child I was bewitched by the tale of The Little Mermaid. I had it on a record and would play it and sit and sob on the settee, much to the bewilderment of my brothers. It wasn’t until years later that I found myself wondering what it was about this dark coming of age story, about a mermaid who had her tongue cut out, that spoke to me so powerfully. Rereading the story years later I realise that the story is about the experience of puberty and the self-consciousness that comes with it, a sort of loss of self.The mermaids live beneath the ocean in a state of unselfconscious freedom until Read more ...
David Nice
Having manoeuvred to get a new concert hall for London earmarked in principle, Sir Simon Rattle has finally agreed, as we thought he would, to take charge of the London Symphony Orchestra in 2017. By then, he'll by 62 (though I thought the big idea was to leave Berlin at 64, an appropriate benchmark for a Liverpudlian).Yes, it’s a good move in many ways, even if I can’t be as unreservedly ecstatic as the press at large, which has at least done the classical world the service of giving it a recognition outside the arts pages thanks to Rattle’s recent visit with the Berlin Philharmonic. Read more ...
Sarah Kent
The sea is the theme uniting Simon Faithfull’s mid-career retrospective. It makes the port of Calais the perfect host for this splendid exhibition and, to put you in the mood, ideally you should make the crossing by boat. Faithfull spent six days going back and forth, back and forth on the P&O ferry between Dover and Calais. He passed the time – one and a half hours each way – sketching on his iPhone things that caught his eye, including a luggage trolley, a man reading (pictured below right), a waiting lifeboat, docking in Calais. More than 50 of these delightful drawings are on show; Read more ...
Mick Houghton
Sandy Denny was well known within the folk world by 1968 (writes Kieron Tyler). Although the recordings were as-yet unreleased, in July 1967 she had recorded with The Strawbs. She featured on two albums which were in the shops in August 1967: Alex Campbell and His Friends, and Sandy and Johnny, made with Johnny Silvo. Early the next year, she was contemplating her next move.The story is picked up in Mick Houghton’s I’ve Always Kept A Unicorn: The Biography of Sandy Denny as Fairport Convention audition for a new singer in the wake of Judy Dyble being asked to leave the band. The group already Read more ...
Tom Birchenough
Russia’s national gallery, the Tretyakov, bears the name of its founder Pavel Tretyakov, the 19th-century merchant who bequeathed his huge collection of Russian art to the city of Moscow in 1892. His bust stands proudly overseeing the entrance to the gallery’s old building, a fine, purpose-built example of early Russian 20th-century architecture.But the Tretyakov has a new wing, dating from the mid-1980s and less architecturally august, that is far less known (and much less visited), which houses its collection of Russian and Soviet art of the 20th century. If any figure deserved a memorial Read more ...