Film
Daniel Baksi
One feels, or perhaps hopes, that if she could have avoided it, first-time feature director Ruth Paxton might not have started A Banquet as she ultimately did: with Holly Hughes (Sienna Guillory) arduously scrubbing the frame of her husband’s hospital-style bed, as he coughs, gasps, and weeps for an end to whatever ghastly affliction he has been dealt. Not to be deterred from her usual course of existence, Holly pops across the kitchen to make herself a smoothie. Out comes the chopping board, in flies the fruit, and the blender goes whirr. Guillory’s face, angular and incisive Read more ...
Saskia Baron
There’s a long tradition of foodie romances proving art-house cinema hits – think of Babette’s Feast, Tampopo, and Chocolat. Sadly, it’s unlikely that Master Cheng, a gentle and very slow Finnish-Chinese coproduction about a chef from Shanghai charming the Nordic locals with his cleaver skills, is going to light up the UK box office. Written and directed by Mika Kaurismäki (Aki’s older, less outrageous brother), this is a languorous fish out of water (and into sweet and sour sauce) story. Cheng (Chu Pak Hong above right) and his young son Niu Niu (Lucas Hsuan) turn up in a Finnish Read more ...
Graham Fuller
“Don’t judge a book by its cover,” the John Ford scholar Tag Gallagher quietly observes in the penetrating – and deeply moving – video essay he contributes to Masters of Cinema’s Blu-ray disc of Ford’s 1953 masterpiece The Sun Shines Bright. It’s good advice. There’s plenty in the movie for cancel culture advocates to sink their teeth into – should they be so blinkered. Gallagher asserts here, as he did in his book on Ford, that the film might well have been titled Intolerance, such is its condemnation of bigotry.The Sun Shines Bright, which Ford claimed in 1968 was his favourite of his films Read more ...
Nick Hasted
Robert Pattinson’s Batman is lean and aquiline, his Bruce Wayne an obsessive recluse. Matt Reeves’ reimagining is similarly handsome and cerebral, much like his genre craft on the Planet Of The Apes franchise. But superhero reboots have become tellingly frequent, as if being jolted back to life by increasingly desperate electro-shocks. For all the consummate care expended on The Batman’s beautiful surface, its substance subsides through familiarity.We’re in Batman’s second year on the job, no one having the stomach for another origin yarn (though you can’t help thinking – not for the last Read more ...
Saskia Baron
Don Letts, the film director, musician and DJ responsible for so many of the iconic images of punk and reggae artists, executive produced this documentary portrait. The result is a warm and generous chronicle that occasionally veers on the hagiographic side. But Letts has led such a dynamic life that the lack of any critical voices is forgivable, especially when there’s a wealth of great archive (much of it from Letts’ own collection) and good anecdotes from the likes of Mick Jones, John Lydon and Daddy G.Born in Brixton to parents who had come over from Jamaica in the mid ‘50s to work on the Read more ...
Daniel Baksi
There is little denying that the Antarctic continent is no longer possessed of the allure that it once was. By all accounts, particularly those unspoken, Antarctica has been betrayed, usurped, eclipsed.Beyond the sober walls of research laboratories, or the heady enthusiasm of university corridors, people today have scant interest in the icy land mass, twice the size of Australia, on average the coldest, driest, windiest of continents, home to penguins, seals and tardigrades, that 2016 Animal of the Year, though it may be.What has taken its place? “No single space project... will be more Read more ...
Sebastian Scotney
The Duke, directed by the late Roger Michell (1956-2021), is a delight. At its heart is a towering, defining performance from Jim Broadbent and an unforgettably surprising role for Helen Mirren.Broadbent plays a real-life character, the Newcastle taxi driver Kempton Bunton (1904-1976), who stole Francisco Goya's "Portrait of the Duke of Wellington" from the National Gallery in 1961. He returned the picture much later and also confessed to the theft.There is a wonderfully ironic plot-line running through the film. The police pompously, plummily speculate about who might be Read more ...
Nick Hasted
Edmond Rostand’s familiar story of ventriloquised love becomes a sensual, sacrificial tragedy, in Joe Wright’s heady cinematic Valentine, adapted by screenwriter Erica Schmidt from her own stage musical, with music by members of The National.The setting is somewhere between the 17th and 18th century, earthy history and fairy tale. We begin in the boudoir of Roxanne (Haley Bennett), as her maid explains the female facts of life: “Children need love, adults need money.” Cash comes from the sinister Duc de Guiche (Ben Mendelsohn), who sweeps her off to the theatre; en route, Wright builds a Read more ...
Saskia Baron
La Mif is French slang for family - it’s the cool kids practice of reversing key words known as ‘verlan’ (itself l’envers backwards) to create their own language. Director Fred Bailif definitely wants to be down with the kids with this drama that uses many of the tools of documentary filmmaking. Set in a care home for troubled teenagers on the outskirts of Geneva, the cast of feisty girls and well-meaning keyworkers are non-professionals. The script draws on improvisation sessions with the performers, who all have experience of living or working in the care Read more ...
Adam Sweeting
You generally find that a movie with Andrea Riseborough in it is worth a look, and so it proves here. Written and directed by Belfast-born Stacey Gregg, Here Before is a nicely-focused story which plays echoes of the supernatural off against a taut family drama set in a naturalistic, usually rain-dampened Northern Ireland. Refreshingly refusing to outstay its welcome, it profits from recognising its limitations (ie a small budget) and working within them.Laura (Riseborough) and Brandon (Jonjo O’Neill) are maintaining an even strain, keeping the family home ship-shape while bringing up their Read more ...
Adam Sweeting
Even today, Charlie Chaplin still earns glowing accolades from critics for his work during the formative years of cinema, though a contemporary viewing public saturated in CGI and superheroes might struggle to see the allure of his oeuvre as the “Little Tramp”. Nonetheless, his films such as City Lights, Modern Times, The Gold Rush and The Great Dictator are built into the foundations of motion picture history.As its title reveals, this new documentary, directed by Peter Middleton and James Spinney, pitches itself as a quest for the “real” Chaplin, surely something of a wild goose chase since Read more ...
Sebastian Scotney
Publishing this review of In the Realm of the Senses the day after Valentine’s Day feels very strange. Nagisa Ōshima’s 1976 film is about sex and obsession. Sexual games that start with insatiable lust progress to hitting, a choking to death, and a particular kind of dismemberment. What's love got to do with it? Good question.This has to be the film for people in the habit of complaining that what they are watching is not transgressive or provocative enough. Ōshima was setting out to provoke. As Ian Buruma has written, the director's “thwarted political subversion had morphed Read more ...