12 Films of Christmas: Gremlins

Director Joe Dante gives the gift of mayhem to a Spielbergian small town

share this article

Don't open the door: the Gremlins go carol-singing

Joe Dante feeds the idealised small-town America of his producer Spielberg into the mincer of an anarchic Warner Bros. cartoon in this riotous 1984 hit. Chris Walas’s creature designs are crucial to it, as mysterious, lovably big-eyed pet Gizmo spawns scaly-backed lords of impish mayhem the Gremlins. Whether “carol”-singing Jerry Goldsmith’s capering theme or riding the back of the screaming local Santa, as triple-cigarette-puffing barflies or the world’s most anti-social cinemagoers, you soon warm to their tireless delinquency. Teenage hero Zach Galligan’s mum admittedly thinks otherwise as, outraged by their infestation of her kitchen, she proves equal to their Tex Avery ruthlessness, pureeing, microwaving and taking a carving knife to them.

Dante intended “a very old-fashioned movie about new-fashioned ideas”, and from the Max Steiner-scored opening scene, as Galligan’s dad acquires Gizmo in a mythic Chinatown straight from Forties Hollywood, we’re in the heartland of the black-and-white Christmas classics glimpsed here on TV. It’s a Wonderful Life is invoked especially strongly as Dante tours Kingston Falls, a storybook small-town with a sour, frayed edge. Dick Miller’s foreign goods-hating drunk is among its many jobless at Reaganomics’ height, scorned by merciless modern Scrooges real estate witch Mrs Deagle, and Judge Reinhold’s jeering yuppie bank-worker.

“When everyone else is opening up their presents, they’re opening up their wrists,” Galligan’s chaste girlfriend Phoebe Cates says of Christmas for the lonely, later revealing she doesn’t celebrate it since finding her Santa-suited dad half-way up the chimney, his ambitious attempt at present-giving gone fatally awry: “And that’s how I found out there was no Santa Claus...” However future Home Alone and Harry Potter director Chris Columbus’s screenplay meant it, Dante dares you to stifle your guffaws. Sight and sound gags also abound, as Kingston Falls gets the cackling Christmas presents it deserves.

  • Gremlins is back in selected cinemas now

Watch the trailer for Gremlins

Add comment

The content of this field is kept private and will not be shown publicly.
An outraged mum is equal to the Gremlins' Tex Avery ruthlessness, pureeing, microwaving and taking a carving knife to them

rating

4

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

Another Petzold heroine tries on a different identity in his latest mesmerising drama
Quirky and gripping French horror film, produced under Nazi occupation
Full steam ahead for Rodrigo Santoro and Denise Weinberg
Soap-opera in the Roman style: Ferzan Özpetek's opulent, melodramatic meta drama
The things that got left behind: Max Walker-Silverman directs a film of quiet beauty
The Australian actress talks family dynamics, awkward tea parties, and Jim Jarmusch
Shirts off in a vineyard: Kat Coiro's silly rom-com stars Halle Bailey and Regé-Jean Page
Quite a few bumps in the night in a haunted-internet chiller
A feelgood true story about the Scottish rappers who hoaxed the music industry
The French director describes why he chose to emphasise the inherent racism of Camus's story
Aaron Taylor-Johnson stars in a deceptively anarchic heist film