fri 06/12/2024

DVD: It Follows | reviews, news & interviews

DVD: It Follows

DVD: It Follows

Teen horror with a kind but chilling heart

Jay (Maika Monroe) looks back in terror

This is an unusually humane horror film, made more chilling by its warmth towards its characters. After a brief prologue of inexplicable, bone-snapping terror, it lets us live quietly for some time with 19-year-old heroine Jay (Maika Monroe, perfectly natural and poised for stardom), till her naive visions of a date with a sexy city boy end with her drugged, bound, and cursed to be followed by an implacable, shape-shifting thing only she can see.

Writer-director David Robert Mitchell was inspired by a recurring nightmare, and his monster moves and morphs like a bad dream. Whether taking the guise of disturbingly naked men or women, glassy-eyed, hospital-gowned old or feral young, or a giant which lurches out of bedroom door blackness, its manifestations feel queasily wrong. Jay looks isolated and exposed in widescreen long-shots, in which you nervously await the first, distant movement of the relentless stalker towards her.

Mitchell’s cinematographer Michael Gioulakis intensifies the golden summer light Spielberg gave his Eighties suburbs. Made deliberately timeless, like a fairy tale, Jay’s Michigan suburb has no mobile phones or computers, and her family sit together watching Fifties sf films, or read Dostoevsky on a futuristic, make-up-style compact. When Jay’s teen circle (Monroe with Lili Sepe as sister Kelly, pictured above) leave the suburbs for desolate Detroit to confront her nemesis, darkness falls.

Watched again on DVD, the fears of first cinema viewing lessen. Emphasised instead is a tender portrait of teenage friendship’s private world, as those closest to Jay tighten their protective bond. Their climactic battle with her hunter has the cockeyed optimism and courage of youth. Horror films tend to strip teens, then slaughter them. Mitchell has made a fond tragedy about them at their best.

A short interview with Disasterpeace, the composer of the subtly atmospheric score, is the only significant extra.

Whether taking the guise of glassy-eyed, hospital-gowned old or feral young, the monster's manifestations feel queasily wrong

rating

Editor Rating: 
4
Average: 4 (1 vote)

Explore topics

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters