Skyfall: The World Premiere

The new 007 has been unveiled. Get your tickets now

This could be the best Bond yet: light on sex, heavy on storytelling, hard on action. This is 100 percent pure Bond - a distillation of beauty, action, surprises and locations. Let's start with the latter: perhaps it’s best to stay away from Istanbul, given Taken 2 and now the exciting chase scene in the opening of Skyfall. It's a chase scene, sure, but with stunts and camera angles that make you sit up and take just enough notice. Same goes for MI6 and Macau: terrible things happen there. But you can visit Shanghai perfectly nicely because, in this, the 23rd official Bond film, the city looks like a clean version of Bladerunner and the fight/shoot-out there is simply glorious.

Sam Mendes and Roger Deakins ASC BSC put their collective heads together and blow our minds. Because, beyond the truly amazing stunts and a running theme of "sometimes the old ways are the best", this has to be the best-looking Bond film - and more kudos will be heaped on the Oscar-winning cinematographer for shooting this instalment to look like an Oscar-winner already. Bond and Oscar in the same sentence? If quality could speak, then yes.

Bardem is one part Hannibal Lecter, one part damaged schoolboy

In the hands of Sam Mendes (pictured below right with Dench), there's less obvious violence and more invention. With John Logan (Gladiator, Coriolanus, Any Given Sunday, etc) bumping up the script by Bond scribes Neil Purvis and Robert Wade, the story holds water and is easy to follow, given the implausible nature of the Bond franchise in general. Telling the plot even briefly would spoil your enjoyment. With Skyfall, the less you know before you go, the more you'll love it. This is the Bond film to take family and friends to see because, like a classic racehorse, its brilliant pedigree really pays off.

Old characters are replaced, new ones slotted cannily into their positions readying us for the next big Bond adventure - which we’ve been promised. This is the first time in film history that a franchise has been rebooted without changing the lead actor, the setting or the theme. The James Bond Skyfall reboot has been done with skill, style and intelligence - just when you thought Bond had run out of all of the above. Setting the bar this high, director Mendes must now make at least two more before we give him his knighthood - although, really, he’s earned it already here.

Daniel Craig is looking the part - he’s got the right mileage now - along with  Judi Dench who's allowed to look human. The real stealer is Javier Bardem. If not for No Country for Old Men, we would have never seen his Raoul Silva, a bad blond villain whom Bardem plays deliciously: there is no other word for it. He is one part Hannibal Lecter, one part hair dye and the other part damaged schoolboy. Yes, there are twists, they're all necessary and, you know, I love James Bond and you far too much to tell you more.

  • Skyfall opens on Friday 26 October

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
A Bond film that looks like an Oscar-winner? Yes

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

The actor resurfaces in a moody, assured film about a man lost in a wood
Clint Bentley creates a mini history of cultural change through the life of a logger in Idaho
A magnetic Jennifer Lawrence dominates Lynne Ramsay's dark psychological drama
Emma Stone and Jesse Plemons excel in a marvellously deranged black comedy
The independent filmmaker discusses her intimate heist movie
Down-and-out in rural Oregon: Kelly Reichardt's third feature packs a huge punch
Josh O'Connor is perfect casting as a cocky middle-class American adrift in the 1970s
Sundance winner chronicles a death that should have been prevented
Love twinkles in the gloom of Marcel Carné’s fogbound French poetic realist classic
Guillermo del Toro is fitfully inspired, but often lost in long-held ambitions
New films from Park Chan-wook, Gianfranco Rosi, François Ozon, Ildikó Enyedi and more