Song Sung Blue review - big dreams and big hair

Hugh Jackman and Kate Hudson on cracklin’ form as a Neil Diamond tribute band

share this article

Focus Features / Universal

There is joy, energy – and no little irony – about the way that Hollywood stars Hugh Jackman and Kate Hudson play and sing the parts of a working-class couple from Milwaukee with big dreams and big hair.

Song Sung Blue tells the story of a real-life couple, Mike Sardina (1951-2006) and Claire Stengl/Sardina, who formed a Neil Diamond tribute band in the early 1990s and performed in small venues, becoming local celebrities under the name Lightning and Thunder.

The plot is about the pair’s desire to fulfill themselves musically. It’s an aspiration that constantly jolts them – and the viewer – back to the cold reality of wintry Milwaukee as stuff keeps happening to them. 

Sardina is a Vietnam veteran with a history of addiction. He has cardiovascular problems that come back and haunt, particularly when he is on stage doing a crucially important gig.  

Stengl gets hit by a car in a freak accident that forces her to have a leg amputated below the knee. She then becomes disoriented by the drugs she’s prescribed.

But the key to the film and its appeal is the dogged determination with which the couple try to keep their dream alive. There is humour and warmth in the enterprise, too. After Sengl’s  accident, they are saved from being unable to perform by the generous offer to entertain diners in an impossibly twee Thai restaurant.

Image
Hugh Jackman and Kate Hudson in Song Sung Blue

Song Sung Blue originated in a 2008 documentary with the same title directed by Greg Kohs, who co-wrote the feature. The entire endeavour has been a labour of love for him lasting years. In the neat way that art and life can resolve each other, the real-life Stengl has a small role in the film.

Much of its charm is rooted in its soundtrack and the variety of feelgood anthemics that Diamond’s songs bring to it. Hudson and Jackman sing their parts with palpable enthusiasm and strong voices. 

Director Craig Brewer has developed a speciality of building films around music, in partnership with his regular collaborator Scott Bomar. The sequence of the songs in the film has been given careful attention. We know that sooner or later “Sweet Caroline” will get an outing because it expresses the feeling of connection so well (“Reachin' out/ Touchin’ me, touchin' you”); Brewer and Bomar consciously hold it back until near the end.

Song Sung Blue delivers a message about ordinary people struggling to transcend their lot in life  by using their voices. It’s a timely one for the new year.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The key to the film is the dogged determination with which the couple try to keep their dream alive

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

Hugh Jackman and Kate Hudson on cracklin’ form as a Neil Diamond tribute band
The British 'Game of Thrones' star talks about Tourette's, tics and finding the truth
Josh Safdie's relentless directing style is by turns entertaining and exhausting
Documentary adds little to what we know about British rock's greatest solo star
In a year of great indies, our critics chose the best
The gifted Norwegian actress carries the emotional burdens of Joachim Trier and Eskil Vogt’s latest drama of self-discovery
Brightly coloured 1960s French comic trilogy, very much of its time
Third instalment of James Cameron's saga is long but not deep
Love, loss and belief collide in rural India in Aribam Syam Sharma’s 1990 feature
Bing Liu directs a lukewarm adaptation of Atticus Lish's novel
Underwhelming parody of ‘Downton Abbey’ and its ilk