Sarah Millican is clearly glad to be back on stage, and the noisy reception she gets at the Winter Gardens in Margate suggests her fans are glad to have her back too. Bobby Dazzler is a crowd pleaser in much the same vein as her previous shows – unflinching honesty about women's bodies, and scatological filth.
Nowadays, the jokes almost write themselves. As each new revelation of the Bacchanalia at 10 Downing Street appears (with much more to come, no doubt), political comics like Matt Forde must rub their hands with glee. It's almost as if he can just state the facts of what has come out that day, do a honk-honk sound and we'll know he's talking about our clown-car government.
Nish Kumar comes on stage raring to go, and delivers 15 minutes of terrific political comedy that expertly skewers the Government and this country's leader “spraying jizz over us”. It's a barnstorming start to the show and worth the price of admission alone.
Lots of stand-ups plunder their personal lives for material – whether it's about friends, parents, children or partners – and many a good show has been fashioned by the telling of tales about them, or comic exaggerations at least. But sometimes real life interrupts art in the rudest possible way.
Imitation is the sincerest form of flattery, they say. I'm not sure One-Woman Show, written and performed by comic, writer and actor Liz Kingsman, is an imitation of a solo show that catapulted another female actor-writer to worldwide fame, but it's imitation-adjacent in a spot-on spoof kind of way.
Everybody in the comedy industry started out with so much hope that, finally, things could get back to normal in 2021 – and for a while they did, and there were some gems as live comedy returned to clubs and theatres.
The lengthy ovation Chris and Rosie Ramsey received when they walked on stage at the O2 showed there was a lot of love in the room, and why wouldn't there be? The married couple's podcast Shagged. Married. Annoyed. has clocked up 144 episodes and built a large and loyal following, and now here they were doing the show live.
"Off-grid" wasn't a thing in the mid-'70s. Sure, people planted a few potatoes in the garden and pottered about a bit in an allotment, but nobody went the whole hog. The rat race was certainly a thing though, a fertile seam for comedies like The Fall and Rise of Reginald Perrin.
Well, this is a first: a comedy show with footnotes. Alfie Brown tells us at the top of the hour that he'll be stepping out of his routines from time to time to explain why the gag he's about to tell, or has just told, isn't offensive. It's a clever touch, one of several in Sensitive Man.