Album: Jack White - Entering Heaven Alive

Playful, varied, relaxed and enjoyable new one from the former White Stripe

share this article

Jack White's vinyl albums will disappear during The Rapture

Jack White’s last couple of albums, Boarding House Reach from 2018 and Fear of the Dawn from April this year, were both driven by experimentalism, dipping into electronics, hip hop, noise and more. They were both, to differing degrees, admirable in intent, coming from an artist perceived as zealously retro, but they were also only partially successful.

Entering Heaven Alive is a less wilful beast and, in terms of enjoyably straightforward songwriting, the better for it. It will, naturally, and as is undoubtedly intended, be viewed of-a-piece with Fear of the Dawn, since the latter only came out three months ago. Where that album roared and raged, love-wounded, sometimes harking back to the most punk White Stripes moments, this one is chatty and playful, albeit still often lyrically entwined with matters of the heart. It’s also in thrall to the late 1960s and early-Seventies.

Classic Rolling Stones springs to mind with piano-fuelled honky-tonkers “Please God, Don’t Tell Anyone”, the catchy “Tree on Fire from Within” and strong opener “A Tip from You to Me”, but elsewhere White plays with the studio like a Beatle on the small ensemble stringed-up orchestrations of “If I Die Tomorrow” and “Help Me Along”, the former a persuasive reflection on giving back to those who’ve shown him support.

Given the jolly eclecticism, favourites will be a matter of taste, but for my money, the kingpin number is “I’ve Got You Surrounded (With My Love)”, a rumblin’ jam, a muffled, echoing, swampy voodoo blues featuring a guitar solo that sounds like Jimmy Page via a kazoo. It’s excellent! But others may prefer the final fiddle-led hoedown, “Taking Me Back (Gently)”, or the pre-rock’n’roll-ish, Louis Jordan-esque sass of “Queen of the Bees”, or the Sixties-Bowie-folk-pop of “All Along the Way”.

The lyrics are chewy and well-wrought throughout, from the love-pondering couplets of Seventies-rocker “Love is Selfish” (“I got a sail boat with her name painted on it but I don’t know how to sail”) to the mischievous, winding word-play of “Madman from Manhattan”’s shuffling beatnik jazz-blues (and another album high point).

Entering Heaven Alive is White on a roll, easy-going but musically rich, and its many moods and styles carry over well.

Below: watch the video for "Love is Selfish" by Jack White

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Given the jolly eclecticism, favourites will be a matter of taste

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time