Album: Leon Bridges - Gold-Diggers Sound

Liquid soul music offers bracing uplift in Texan star's third

share this article

The sleeve splices Little Richard and Sam Cooke in an archaic, explosive burst of ecstasy. Neo-soul star Leon Bridges’ third album doesn’t settle in the past, though. Taped far from his Forth Worth, Texas hometown in Hollywood, local clubland sounds helped fuel its liquid summer drift, a quiet storm brewed in nocturnal sessions over hip-hop beats, and burnished by jazz brass. At its heart, Bridges’ voice has the tender, aerated grace of the great soul singers before him. But broader R&B currents breeze through Gold-Diggers Sound.

Robert Glasper, the keyboardist whose album Black Radio (2012) put him at jazz, R&B and hip-hop’s crossroads, guests on opener “Born Again”. He’s a floaty, abstract element in an album whose straightforward loverman sentiments are borne by flowing music, from the rubbery Afrobeat percussion and guitar of “Steam” to Bridges’ edgeless slur and blur. An acoustic guitar backs that languid voice’s close-up grain on “Magnolia”, as it promises “nothing feels better than being here with you”. “Details” and “Sho Nuff” are similarly reverent to lovers, somewhat trite lyrics soaring when Bridges breaks for the wordless, high heavens. These are erotic reveries, reaching for supernal bliss.

“Sweeter” is a soft prayer for the bruised hopes of black people still being killed because of “skin dark as night”. A thin synth line like fading life-support, a rhythmic patter resembling fragile heartbeats and Terrace Martin’s soft sax phrases back Bridges as he becomes the voice of a dead young black man, with “the tears of my mother” falling on his coffin, as “my sisters and my brothers, sang, sang over me”. “Did the words of the King disappear into the air?” he wonders, as promises extracted by MLK in Sam Cooke’s day stay unredeemed. “Blue Mesas”’ cello-adorned, sorrowful journey through male depression shows similarly broadened horizons, its gorgeously symphonic synth-gospel singing a modern blues.

Bridges mainly offers uplift in other ways, though. Gold-Diggers Sound is its own better place and time, not separate from the stresses outside, but a creamy balm to their aches.

Add comment

The content of this field is kept private and will not be shown publicly.
Somewhat trite lyrics soar when Bridges breaks for the wordless, high heavens

rating

3

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Belfast hip-hoppers explicitly refuse to tone things down
Soul treasures from 1969 are made easily available for the first time
This debut album is a genre-hopping feast for the ears
The singer has gone from tiny clubs to arenas in just three years
At 85, Ringo has found a voice a world away from his cartoon persona
On a late career roll, the German rock star talks techno, time machines and Satanic anarchy
Grot-permeated hard rock with a debt to the early Seventies
Energetic and carefree, but ultimately it flatters to deceive
Brilliant trio seamlessly combine composition and improvisation
One Direction alumnus draws on many sources of inspiration, not least his Asian heritage