Album: Mark Morton - Without the Pain | reviews, news & interviews
Album: Mark Morton - Without the Pain
Album: Mark Morton - Without the Pain
Second solo album from Lamb of God guitarist lays down hefty southern boogie

Mark Morton is best known as a guitarist with US metallers Lamb of God. They’ve been going for three decades, established and successful, at the more extreme, thrashier end of the spectrum, but still achieving Top Five albums on the Billboard charts.
He’s also been developing a solo career. His debut, 2019’s Anesthetic, was straightforward heavy rock, featuring names such as Mark Lanegan and Chester Bennington, but his follow-up is more interesting, a riff-tastic dive into southern boogie, tipping its hat to The Allman Brothers and Lynyrd Skynyrd.
There are guests throughout again, but this time they include the likes of American country star Nikki Lane and Americana staple Jason Isbell. This isn’t to say that on Without the Pain Morton has suddenly gone full Nashville honkytonk. He leavens his country tendencies with proper head bangers, such as “Nocturnal Sun”, featuring Mastodon bassist-vocalist Troy Sanders and blues-rocker Jared James Nichols, and the sludge-metal stomp of the title track.
Elsewhere, though, songs such as “Kite String”, featuring country singer Travis Denning, is an acoustic love song, boasting impressive guitar pickin’, and closer “Home”, with Denning again, is an AOR ballad. Last year Morton published an autobiography, detailing, among much else, his struggles with addiction (Desolation: A Heavy Metal Memoir). He touches on these issues in cuts such as “The Needle and the Spoon”, with Neil Fallon of blues metallers Clutch (“I’ve been feeling so sick inside/Got to get better, Lord, before I die”), and (possibly) the catchy southern boogie of “Brother”, with outlaw country singer Cody Jinks.
The album is at its best when he plays that southern boogie card. Highlights include the chugging “Dust”, with Jinks again, and the ZZ Top-ish “Hell & Back”, featuring Jaren Johnston of The Cadillac Three. “Forever in the Light” is also notable, albeit as a grungey psyche-smeared plod more like Soundgarden than Creedance Clearwater Revival.
With his second album, Morton settles into his solo career, proving he has the chops to convincingly go to new places, somewhere different from the day job. He also plays a seriously mean guitar.
Below: watch the video for "Brother" by Mark Morton featuring Cody Jinks and some serious beards
rating
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
 Cat Burns finds 'How to Be Human' but maybe not her own sound
  
  
    
      A charming and distinctive voice stifled by generic production
  
  
    
      Cat Burns finds 'How to Be Human' but maybe not her own sound
  
  
    
      A charming and distinctive voice stifled by generic production
  
     Todd Rundgren, London Palladium review - bold, soul-inclined makeover charms and enthrals 
  
  
    
      The wizard confirms why he is a true star
  
  
    
      Todd Rundgren, London Palladium review - bold, soul-inclined makeover charms and enthrals 
  
  
    
      The wizard confirms why he is a true star
  
     It’s back to the beginning for the latest Dylan Bootleg
  
  
    
      Eight CDs encompass Dylan’s earliest recordings up to his first major-league concert
  
  
    
      It’s back to the beginning for the latest Dylan Bootleg
  
  
    
      Eight CDs encompass Dylan’s earliest recordings up to his first major-league concert
  
     Ireland's Hilary Woods casts a hypnotic spell with 'Night CRIÚ'
  
  
    
      The former bassist of the grunge-leaning trio JJ72 embraces the spectral
  
  
    
      Ireland's Hilary Woods casts a hypnotic spell with 'Night CRIÚ'
  
  
    
      The former bassist of the grunge-leaning trio JJ72 embraces the spectral
  
     Lily Allen's 'West End Girl' offers a bloody, broken view into the wreckage of her marriage
  
  
    
      Singer's return after seven years away from music is autofiction in the brutally raw
  
  
    
      Lily Allen's 'West End Girl' offers a bloody, broken view into the wreckage of her marriage
  
  
    
      Singer's return after seven years away from music is autofiction in the brutally raw
  
     Music Reissues Weekly: Joe Meek - A Curious Mind
  
  
    
      How the maverick Sixties producer’s preoccupations influenced his creations
  
  
    
      Music Reissues Weekly: Joe Meek - A Curious Mind
  
  
    
      How the maverick Sixties producer’s preoccupations influenced his creations
  
     Pop Will Eat Itself, O2 Institute, Birmingham review - Poppies are back on patrol
  
  
    
      PWEI hit home turf and blow the place up
  
  
    
      Pop Will Eat Itself, O2 Institute, Birmingham review - Poppies are back on patrol
  
  
    
      PWEI hit home turf and blow the place up
  
     'Fevereaten' sees gothic punk-metallers Witch Fever revel in atmospheric paganist raging
  
  
    
      Second album from heavy-riffing quartet expands sonically on their debut
  
  
    
      'Fevereaten' sees gothic punk-metallers Witch Fever revel in atmospheric paganist raging
  
  
    
      Second album from heavy-riffing quartet expands sonically on their debut
  
     theartsdesk Q&A: Soft Cell
  
  
    
      Upon the untimely passing of Dave Ball we revisit our September 2018 Soft Cell interview
  
  
    
      theartsdesk Q&A: Soft Cell
  
  
    
      Upon the untimely passing of Dave Ball we revisit our September 2018 Soft Cell interview
  
     Demi Lovato's ninth album, 'It's Not That Deep', goes for a frolic on the dancefloor
  
  
    
      US pop icon's latest is full of unpretentious pop-club bangers
  
  
    
      Demi Lovato's ninth album, 'It's Not That Deep', goes for a frolic on the dancefloor
  
  
    
      US pop icon's latest is full of unpretentious pop-club bangers
  
     Yazmin Lacey confirms her place in a vital soul movement with 'Teal Dreams' 
  
  
    
      Intimacy and rich poetry on UK soul star's second LP
  
  
    
      Yazmin Lacey confirms her place in a vital soul movement with 'Teal Dreams' 
  
  
    
      Intimacy and rich poetry on UK soul star's second LP
  
     Solar Eyes, Hare & Hounds, Birmingham review - local lads lay down some new tunes for a home crowd
  
  
    
      Psychedelic indie dance music marinated in swirling dry ice
  
  
    
      Solar Eyes, Hare & Hounds, Birmingham review - local lads lay down some new tunes for a home crowd
  
  
    
      Psychedelic indie dance music marinated in swirling dry ice
  
    
Add comment