Album: The Streets - None of Us Are Getting Out of This Life Alive

A casually pulled together "mixtape" turns out to be some of Mike Skinner's finest work

share this article

Given the collaborator list on this album, it should be a bit of a mess. Brit punks IDLES, Aussie woozy pop auteur Tame Impala, pumping bassline house producer Chris Lorenzo turning his hand to drum’n’bass, as well as Ms Banks, Dapz On The Map, Oscar #Worldpeace and a host of other UK rap talents all add their distinct musical personalities to the mix. Yet somehow, what Mike Skinner drolly called “really just a rap duets album”, put together while waiting for a film to accompany The Streets’s comeback album proper, is some of his most coherent work ever.

It is sonically diverse, mind. In particular it’s a glorious showcase for how many unorthodox rap voices there really are in this country now. From the sleepily conversational styles of Jimothy Lacoste and Jesse James Solomon to the ultra tight assurance of Skinner's fellow Brummie Dapz, it feels like a celebration of UK creative diversity. The beats too slip and slide between styles like drill, garage, grime and the much missed 00s sound of UK funky, with weirder and wonkier excursions too: the title track with IDLES sounding like N*E*R*D* falling over on ketamine, or "I Know Something You Did" slouching along on a back to basics drum machine and Hammond organ groove.

But it holds together brilliantly, firstly because Skinner’s abstracted pub-chat narrative weaves themes of rumour, relationships and ringtones through the whole thing, without ever trying to overconceptualise, with all those voices woven perfectly into his unfolding psychodrama. And secondly because musically it feels like a party. Perhaps the success of the TONGA parties Skinner has been taking international recently has reminded him of the value of not messing too much with the core values of beat, bassline and MC. Whatever the cause, where The Streets records can sometimes be sonically confusing or overcooked, this one grooves along like his very best, with him chatting, musing and mischievously free-associating like a genial host right at the heart of it. Here’s hoping the album proper is as spontaneously great as this.

@joemuggs

Listen to I Wish You Loved You As Much As You Love Him ft. Donae'o and Greentea Peng

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Skinner’s abstracted pub-chat narrative weaves themes of rumour, relationships and ringtones

rating

4

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction