CD: 808 State - Transmission Suite

First album in 17 years from Mancunian electronic innovators is an engaging retro-futurist ear-journey

share this article

Welcome to conditioning

Prior to the UK dance music explosion of summer 1988, house and techno were American micro-scenes, geographically restricted to Chicago, Detroit and New York. Small coteries showed interest in the UK, but few thought of making the stuff. Mancunian producers 808 State, however, were early adopters, recording an album that year and later charting with iconic 1989 hit “Pacific State”, a futuristic, Balearic instrumental. 30 years on, their seventh album is both forward-looking and a tribute to old analogue technologies.

808 State, once a four-piece, is now the duo of long-term members Graham Massey and DJ-producer Andrew Barker. Transmission Suite is named for the deserted, long-unused studios of defunct broadcasting giant Granada TV, where they recorded it. The experience has flavoured it. 808 State always drew sonic parallels between the techno music of Detroit’s urban desolation and that of Manchester’s, and the best of this album captures the same sense of post-industrial emptiness and unease. Opener “Tokyo Tokyo” is a case in point, an acid roller built around farty machine noises, but it’s at the end of the album they really push the boat out. A quintet of abstruse pieces reside there, brilliantly offbeat and brain-mangling, such as the tweaked out “Pulcenta” which sounds like children’s electronic toys in terminal meltdown. These tunes give Britain’s chief doyen of abstract electronica (and 808 State fan) Aphex Twin a run for his money.

Elsewhere are other sounds, stark techno and electro based on the Detroit blueprint; the Nineties ravey “Trinity”; a belting dancefloor work-out called “Ujala” that comes on like a tribal ceremony for robots. What’s strangely compelling is that, despite 808 State’s production no longer sounding futuristic in the way that, say, an artist like Tony Njoku's does, their work intimates an alternate version of the future based on a very specific version of the past. In doing so, the best of it wanders confidently around a dystopian cityscape that is all its own.

Below: Watch the video for "Tokyo Tokyo" by 808 State

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Some of these tunes give Britain’s chief doyen of abstract electronica (and 808 State fan) Aphex Twin a run for his money

rating

3

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction