Help keep arts journalism alive.

We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement.

SUBSCRIBE TODAY 

CD: Jools Holland & His Rhythm & Blues Orchestra – The Golden Age of Song

The prolific keyboard basher gets by with a little help from his musical friends

share this article

Singalongajools: the hits jostle with the misses on this eclectic album

Sometimes as a critic one cannot help pre-judging an album however hard one tries not to. I expected the worst of this all-star jamboree bag from TV's most haphazard interviewer, which mixes some Hootenanny turns with new recordings of old favourites by some of music's blandest and/or most irritating personalities. Yet apart from a few excruciating exceptions this is not a bad something-for-all album to stick on when the in-laws pitch up on Boxing Day.

Best of the crop by a fair lick is the Hootenanny 2006-era duet of Amy Winehouse and Paul Weller on "Don't Go to Strangers". Winehouse's vocal brilliance does not diminish one iota with the years. This is another example of her febrile brand of bruised blues and a further painful reminder, as if it were needed, of what we are missing. Weller is also something of a solo crooning revelation on "September in the Rain", suggesting he could have a sideline as a part-time Perry Como if the retro-rock muse ever dries up. Holland certainly seems to extract good performances. Even Mick Hucknall pulls it out of the bag for "I Got It Bad (And That Ain't Good)" with Jools' big band laying some subtle foundations.

The only really bad news is Jessie J's melisma-frenzy on "Get Here", which had me reaching for the skip switch and the sick bag simultaneously. But Joss Stone keeps the over-emoting to a minimum while adding an irreverent ska tinge to Barmitzvah favourite "Bei Mir Bist Du Shön", and Tom Jones (a swinging "I'll Sail My Ship Alone") and Florence Welch (a jaunty kitchen sink and everything "My Baby Just Cares For Me") are among others flexing formidable MOR lung power. Best of all? There isn't much of Holland's toothache-inducing boogie woogie piano. And he doesn't interview anyone.

Follow Bruce Dessau on Twitter

Watch Amy Winehouse & Paul Weller on Later

Amy Winehouse's vocal brilliance does not diminish one iota with the years

rating

4

explore topics

share this article

more new music

The UK DJ / producer / remixer on the challenges and joys of getting the keys to a vast vault
Deep English tunes and dances are brought back to life on this beautiful debut set from the new fiddle duo
Trippy vibes, warm melodies and techno-flavoured grooves
The celebrated country singer’s first album in 10 years hits home hard
The veteran indie rocker's fifth solo outing jangles but doesn't fly
The fast-rising London band showed both brilliance and an over-abundance of ideas
An incredibly finessed and sometimes stunning album doesn't give away its electronic secrets easily
Iconic heavy rock guitarist serves up raucous riffs on inconsistent fifth solo album
Following the loss of the duo's production wizard Dave Ball, one final outing