Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Kate Rusby - 20

Soft-toned folk star offers a homeopathic cure for autumn blues

share this article

Kate Rusby celebrates 20 years in the recording business

Year after year Kate Rusby, one of the undisputed stars of the British folk revival, turns out quality albums and even better live performances. Ten years ago she celebrated a decade in the business with a collection of re-recordings and unreleased material. Ten years on, she has put together a double CD that features a number of star collaborators and less well-known but equally talented friends and contains new versions of her favourite songs.

The magic Rusby touch is characterised by a sweet and soft-toned vocal style and a heart-warming melancholy. It’s not by accident that the family company, Pure Records, should be named for a quality that excludes unnecessary adornment or excessive show. Kate Rusby has always gone straight for the heart, and she is joined on this double CD by musicians who travel the same road, from velvet-toned country singer Mary Chapin Carpenter to a stripped-down Paul Weller. All the voices have been chosen to provide a textural counterpoint to Rusby’s trademark sweetness: bluegrass newcomer Sarah Sarosz on “Planets”, the Irish giant Paul Brady on “All God’s Angels”, Richard Thompson on “Who Will Sing Me Lullabies” and the influential and under-rated Nic Jones on “The Lark". Jerry Douglas’s gently sliding guitar provides an extra transatlantic flavour on a couple of tracks. The arrangements are flawless, with a combination of passion and understatement that holds the vocals well.

The collection’s uniformity of tone – the happy sadness that goes with melancholy moods – makes it a perfect homeopathic cure as autumn draws in, though there is something unrelenting about the mid-paced gentility of it all. And yet, Kate Rusby deserves praise for the characteristic generosity she demonstrates in bringing together such a treasure-house of like-minded talents.

The magic Rusby touch is characterised by a sweet and soft-toned vocal style and a heart-warming melancholy

rating

3

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A soaring fusion of atmospheric melancholy and energetic punk
A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness
The American singer's eighth album is rife with downtempo ruminations on love
A thrilling blast of deep rooted culture and devout belief
Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity