Mark Kidel
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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Time is a terrifying force in Romeo & Juliet, and Robert Icke's headlong production never lets playgoers forget that fact. Returning to…
If ever there was a piece that epitomised the view that villains are infinitely more fun than heroes, it would be Pierre Choderlos de…
There was something incongruous about seeing Basement Jaxx in a venue best known for regularly playing host to the likes of Scotland’s…
About a dacade ago and then again last year, Seattle’s proto-grungers, Melvins and Birmingham’s grindcore originators, Napalm Death hit the…
François Ozon’s film of Albert Camus's The Stranger, one of the most iconic works of French existential literature, is as well-paced and…
The baldness of the titles the writer-director Stefan Golaszewski gives his TV series — Him & Her, Mum, Marriage and now Babies — is a…
Sergei Loznitsa's historical drama Two Prosecutors, which he adapted from the novella written by the onetime Gulag prisoner Georgy Demidov…
theartsdesk’s Thomas H Green has lately been noting a “mellow production flatness” in modern pop and he’s really nailed a ubiquitous…
The title doesn’t refer to a void into which detectives disappear, but to Harry Hole, the fictional Norwegian sleuth created by novelist Jo…