Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: The Rezillos - Zero

Long-time-coming second album from Scottish punk rock originals

share this article

Kitsch and colourful comeback

There’s a particular sound that the best 1970s British punk rock has, scuzzy, scorched riffage emulating Chris Thomas’s multi-layered guitar production for the Sex Pistols. The Rezillos had it and they still have it. This is their first album since their 1978 debut, Can’t Stand The Rezillos, and it sounds as if it was made the following year rather than three-and-a-half decades later. The Rezillos, from Edinburgh, never embraced punk’s fury, nihilism or politics but, coming on like The Ramones crossed with The B52s, they fetishised sci-fi retro kitsch, looking a riot of quiffs, mod-ish ties, wrap-around shades, and lurid plastic clothing.

As ever, the band centres on Eugene Reynolds and Fay Fife whose singing and vocal sparring provides the songs with a zany kind of drama. They kick off with the rampaging “Groovy Room” which borrows its riff from The Ruts’ “Babylon’s Burning” but sounds more like an on-form Cramps goofing about. There are at least two love songs to aliens with suitably bizarre lyrical couplets, such as “Tiny boy from outer space/I really love your flattened face” (from the weirdly effective slowie “Tiny Boy”).

Along the way forays are made into Eighties hair metal on “Life’s a Bitch”, which sounds like W.A.S.P. or Twisted Sister, straightforward punk rock is embraced (“You’re So Deep”), as is twangy garage rock (“Spike Heel Assassin”), and the oddball experimentalism of the title track has a punchy heft. Particularly notable, also, is the dynamic and tuneful amphetamine beat pop of “She’s the Bad One".

I have a soft spot for this sort of music. I was sustained and nourished during the musical drought of the mid-Eighties by defunct, forgotten punk acts that I discovered in second hand record shops. I have no illusions that Zero is going to revitalize a general appreciation of The Rezillos but, like the consistently entertaining but under-appreciated output of The Damned or Motörhead, for those that like this sort of thing there’s much here that’s raucously welcome.

Overleaf: Watch the video for "No.1 Boy"

There are at least two love songs to aliens with suitably bizarre lyrical couplets

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk
A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness