CD: Sera Cahoone - Deer Creek Canyon

Colorado songwriter channels her roots on bluesy third album

share this article

The sounds of home: Sera Cahoone

There are, roughly speaking, two types of record. There are the ones that it is hard to consider as anything other than a complete unit - gimmicky concept records or complex themes, tracks that ebb and flow and blend together as if making a mockery of the single-track-friendly digital future. And then there are records like Deer Creek Canyon, from which any song could be plucked to form the centrepiece of a homely, autumnal mixtape.

And “homely” is the operative word this time around for Colorado-born Sera Cahoone, who on this third album shines her songwriting lantern on the foothills of home. She might now be based in Seattle - alongside the legendary Sub Pop label that helped make her name with 2008’s Only As the Day Is Long - but the roots of her blues-tinged husky voice are unmistakeable. At its most literal there is Deer Creek Canyon the physical place; where Cahoone grew up and where her mother still lives. On another level, however, it’s flecked with the warmth of the banjo, the hills and the leaves and the smell of the dynamite Cahoone’s father made his living selling when she was a child.

Although lacking the versatility of, say, a similarly-pitched Cat Power, Cahoone’s voice aches with a vulnerability and longing. Hers are simple songs, artfully pitched, even where titles like “Nervous Wreck” and “Rumpshaker” might hint at something a little more sensual or torturous. There’s a boot-stomping banjo riff underpinning the latter, sure, but lyrically it’s among the more wistful songs on the album. “I know at the time you meant a lot to me,” Cahoone sings, but it’s the lines between the lines that are the most powerful.

In fact there’s plenty of reading between the lines that can be done here - songs, such as “Worry All Your Life” which seem to begin as clear nostalgia for past romantic loves, could just as easily be serenading the familial by the chorus. Perhaps, looking back, Cahoone isn’t sure what she is missing - she only knows that it’s something she’ll never get back. Like most of us, then.

Watch the video for "Naked" below


Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Any song could be plucked from this record to form the centrepiece of a homely, autumnal mixtape

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time