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To a Land Unknown review - the migrant hustle
A slick tale of two refugees striving and surviving in Athens
Three Sisters, Sam Wanamaker Playhouse review - Chekhov's anatomy lesson on the human condition
Russia - but also here, there and everywhere
Album: Rizzle Kicks – Competition Is For Losers
Rizzle Kicks are back—brass, beats, and pure fun. The UK has missed this
Surviving Black Hawk Down, Netflix review - the real story behind Ridley Scott's Oscar-winner
Documentary series looks at the 1993 'Battle of Mogadishu' from both sides
Churchill in Moscow, Orange Tree Theatre review - thought-provoking language and power games
Howard Brenton’s new play about Winston and Stalin is both intelligent and fun
Bridget Jones: Mad About the Boy review - older, sadder Bridget has started ditching the ditz
Michael Morris's deft direction produces a maturer kind of romcom
Album: Fantastic Twins - Suite of Rooms
Dramas within dramas and rooms within rooms in this elegant little puzzle box
Festen, Royal Opera review - firing on every front
No slack in Mark-Anthony Turnage's operatic treatment of the visceral first Dogme film
Northern Winter Beat 2025, Aalborg review - The Courettes, Dungen and Lubomyr Melnyk confront ideas of how to play
Danish city hosts the festival imbued with a cool which doesn’t need expressing
Album: Manic Street Preachers - Critical Thinking
Lots of words but not so many catchy songs
theartsdesk Q&A: Iranian director Mohammad Rasoulof on 'The Seed of the Sacred Fig' - 'It became a question of self-respect'
The exiled filmmaker on authoritarian minds, reluctant radicalism and Iran's future
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