Digital Theatre: From Page to Stage to Screen | reviews, news & interviews
Digital Theatre: From Page to Stage to Screen
Digital Theatre: From Page to Stage to Screen
Finally, plays on screen which don't make you scream
Wednesday, 24 February 2010
Rebecca O'Mara as Bathsheba Everdene addressing country folk in Far from the Madding CrowdDigital Theatre/English Touring Theatre
The thought of watching a filmed play is enough to make even the hardiest theatregoer flee screaming down the aisle. Recording the stage has a poor history, causing even the nimblest staging to seem thudding and deep performances transparent. But that was before Digital Theatre came along.
The thought of watching a filmed play is enough to make even the hardiest theatregoer flee screaming down the aisle. Recording the stage has a poor history, causing even the nimblest staging to seem thudding and deep performances transparent. But that was before Digital Theatre came along.
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Theatre
A Christmas Carol, Old Vic review - tidings of discomfort and noise
This venue’s annual festive classic is joyous, but its writing is frankly patronizing
[title of show], Southwark Playhouse review - two guys and two girls write about writing, delightfully
Revival of New York show lifts the spirits
ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime
Despite anticipating disaster, this mesmerising voyage is full of hope
Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting
New play about young black men and cryptocurrency is sadly predictable
Burnt Up Love, Finborough Theatre review - scorching new play
Super writing and acting jolts us out of complacency
L’Addition, BAC review - top billing for physical comedy duo
The latest in Forced Entertainment’s 40 years of experiment is a thought-tickling farce
Barcelona, Duke of York's Theatre review - Lily Collins migrates from France to Spain
The 'Emily in Paris' star surrenders to cliche - or does she?
Guards at the Taj, Orange Tree Theatre review - miniature marvel with rich resonances
Rajiv Joseph’s play pitting beauty against duty gets an impressive staging
The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?
Hanif Kureishi classic gets a compulsively comic makeover from Emma Rice
How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy
Lots of heartache, but a strange void where the heart of the play should be
Dr Strangelove, Noël Coward Theatre review - an evening of different parts
Kubrick’s humour doesn't always detonate as it should in Armando Iannucci's version
Reykjavik, Hampstead Theatre review - drama frozen by waves of detail
Richard Bean’s new play revisits the Hull fishing industry of the 1970s
Comments
...
...
...