Royal Shakespeare Company, 2011 Season

Complete listings in Stratford, London, UK touring and New York for the RSC

by Ismene BrownSaturday, 08 January 2011

Complete at last: Bennetts Associates' renovation scheme for Elisabeth Scott's landmark 1932 Royal Shakespeare Theatre

The Royal Shakespeare Company celebrates its 50th birthday season with the grand reopening of its transformed Royal Shakespeare Theatre at a cost of £112.8 million. The temporary Courtyard Theatre folds curtains on the sold-out smash hit that is Matilda, awaiting one last flourish in the Olympics Shakespeare Festival next year before its intended demolition. New productions of Macbeth, King Lear and Romeo and Juliet inaugurate the revamped RST, while London operations transfer from the Roundhouse to Hampstead Theatre for the premieres of three new plays. The season is capped with a six-week summer residency in New York. Full season listings below.

RSC at the Roundhouse

Explore topics

Share this article

...

Permalink Submitted by John W. Kennedy (not verified) on Sun, 09/01/2011 - 16:41

There is no "the" in Double Falshood (sic), and Shakespeare and Fletcher did not write it. It was written by Lewis Theobald ca. 1727. The weight of current scholarly opinion, however, is that it is based on a now-lost play by Shakespeare and Fletcher that was titled Cardenio (or something of the sort), which was in turn based on the "Cardenio" episode of Don Quixote.

Add comment

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Theatre

The Producers, Menier Chocolate Factory review - liberating taboo-busting fun for grown-ups Director Patrick Marber does Mel Brooks's 1967 musical proud

A Midsummer Night's Dream, RSC, Barbican review - visually ravishing with an undercurrent of violence This psychedelic mashup conveys a sci-fi-style alternate reality

Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our times Songs and sweeties, but insufficient sourness and sadism for fans of fairytales

The Importance of Being Earnest, National Theatre review - no shortage of acid-tipped delight Oscar Wilde speaks just as strongly to the 21st century as he did to his own

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem Shakespeare's comedy of identity confusion benefits from a 1940s setting

The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to me Myths and monsters make for a curiously bland and bloodless musical

Expendable, Royal Court review - intensely felt family drama New play about a paedophile ring foregrounds the voices of British-Pakistani women

The Purists, Kiln Theatre review - warm, witty, thoughtful and un-woke Dan McCabe's play about ageing hiphop stars makes a winning European debut

The Dead, ANU, Landmark Productions, MoLI Dublin review - vital life, love and death in perfect equilibrium Joyce’s great short story fully realised for ‘invited guests’ by a perfect ensemble

All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeable New production lands on shaky ground in 2024

Wicked review - overly busy if beautifully sung cliffhanger Musical theatre behemoth becomes an outsized film - and this is just part one

King James, Hampstead Theatre review - UK premiere drains a three-pointer LeBron James comes and goes, and comes back again to the Cavs

Follow @theartsdesk