Goldberg Variations, Fretwork, St George's Bristol | reviews, news & interviews
Goldberg Variations, Fretwork, St George's Bristol
Goldberg Variations, Fretwork, St George's Bristol
Bach on viols brings out the polyphony and promotes insomnia
Saturday, 05 March 2011
Fretwork: A smooth tapestry without joins
There are few more beautiful sounds on this planet than a consort of viols well played. Like a quiet conversation overheard from across the room, it combines intimacy and secrecy, together with a kind of conspiratorial subtlety of feeling – intellect and passion fused but disguised. And the sound has a delicacy and refinement hardly matched in any music I know.
There are few more beautiful sounds on this planet than a consort of viols well played. Like a quiet conversation overheard from across the room, it combines intimacy and secrecy, together with a kind of conspiratorial subtlety of feeling – intellect and passion fused but disguised. And the sound has a delicacy and refinement hardly matched in any music I know.
At high speed in an elaborate texture, it can be like walking a tightrope on stilts
Explore topics
Share this article
Add comment
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Prom 68, A Midsummer Night's Dream, Garsington Opera review - eerie beauty sometimes faintly glittering
Strong cast and top orchestra project as best they can in a fine company's first Proms visit
First Person: Alexandra Dariescu on highlighting women at the Leeds International Piano Competition
A distinguished pianist fights for more balanced international programming
Proms 63-65, Choral Day review - from Harris to Handel/Mozart via Alabama, with love
British and American beauties crowned by a cornucopial 'Messiah'
Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle review - sound over momentum
Near-perfect playing, but something missing in the overall drama
Prom 61, Bavarian Radio Symphony Orchestra, Rattle review - Bruckner without tears
A lithe, smooth journey around a craggy masterpiece
Prom 58, Orchestre de Paris, Mäkelä review - risky reinvention pays off in part
Berlioz fares better than Stravinsky in a master conductor’s fresh takes
Prom 55, Ólafsson, Berlin Philharmonic, Petrenko review - stealth and sweep from the greatest
Smetana’s national epic has abundant operatic drama and orchestral beauties
Prom 54, Ma, Ax, Kavakos review - exquisite display of humility and communication
Three musicians at the top of their game tease out the subtleties of the repertoire
theartsdesk Q&A: conductor Dalia Stasevska on her new album of contemporary orchestral music
Finnish-Ukrainian conductor looks to bring the music of today to new audiences
Classical CDs: Beans, carrots and bassoons
Danish pianism, a great conductor's Italian recordings and a bold contemporary compilation
Prom 50, Fujita, Czech Philharmonic, Hrůša review - revelations where least expected
Fresh-faced, unpredictable Dvořák, majestic if not entirely visceral Janáček
Prom 49, Kobekina, Czech Philharmonic, Hrůša review - what an orchestra
Glorious playing save for a disappointing cellist
Comments
...