fri 13/09/2024

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

Il Trittico, Welsh National Opera review - another triumph for a hard-pressed company

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The Merry Widow, Glyndebourne review - fun and frolics in the Embassy

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Così fan tutte, Welsh National Opera review - relevance reduced to irrelevance

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Uproar, Rafferty, Royal Welsh College, Cardiff review - a rare spring in the new music step

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BBC National Orchestra of Wales, Martin, Hoddinott Hall, Cardiff review - a host of horns in the wild woods

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La Traviata, Welsh National Opera review - memorable revival, unforgettable lead

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Ainadamar, Welsh National Opera review - hits hard without breaking ground

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The Pilgrim's Progress, Three Choirs Festival review - revelatory performance by young musicians

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theartsdesk at The Three Choirs Festival - Elgar, Vaughan Williams and Hammond

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The Bartered Bride, Garsington Opera review - brilliant revival of a comedy of cruelty

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Candide, Welsh National Opera review - vaut le voyage, just for the visual side

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L'elisir d'amore, Longborough Festival review - agreeable nonsense in a semi-modern English village

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Götterdämmerung, Longborough Festival review - from the hieratic to the mundane and back

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Kim, BBC National Orchestra of Wales, Bancroft, St.David's Hall, Cardiff review - finding a style in the Eighties

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Blaze of Glory!, Welsh National Opera review - sparkling entertainment up the valleys

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The Magic Flute, Welsh National Opera review - Mozart remodelled and remuddled

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The Perfect Couple, Netflix review - an inconvenient death r...

Based on the novel by Elin Hilderbrand, The Perfect...

Why Am I So Single?, Garrick Theatre review - superb songs i...

Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories...

Lee review - shaky biopic of an iconic photographer

Anyone who has seen Lee Miller’s photographs – those taken of her in the 1920s when she was a dazzling American beauty, those she took as a...

Reawakening review - a prodigal daughter returns, or does sh...

“I’d know her. Bone of my bone, flesh of my flesh. Would I know her? Would I?” John (a brilliant Jared Harris, who’s also an executive producer)...

LSO, Pappano, Barbican review - singular adventures for a ne...

Somehow those of us required to translate the musical experience into words look for the moments which defeat us. One such was the extraordinary...

Album: Snow Patrol - The Forest is the Path

Contrary to popular belief, not all music journalists get off on being snide about the same old easy-to-slate bands. When something like this...

Prom 68, A Midsummer Night's Dream, Garsington Opera re...

Some operas shine in the vasts of the Albert Hall, others seem to creep back into their beautiful shells. Glyndebourne’s Carmen blazed,...

Album: Tindersticks - Soft Tissue

It has to be hoped that Stuart Staples’ songs for Tindersticks aren’t a reflection of his actual life experiences. No-one really deserves that...

The Mad Hatter's Tea Party, ZooNation, Linbury Theatre...

The Mad Hatter gets it about right when he tells Alice: “You’re entirely bonkers… but all the best people are.” Kate Prince takes this line and...

La traviata, Royal Opera review - a charismatic soprano in a...

Later this autumn Richard Eyre’s La Traviata celebrates its 30th birthday. Not bad going for the director’s first ever foray...