sat 05/10/2024

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

I Fagiolini, Hollingworth, St George's Bristol review - Leonardo and music, immortal, invisible

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The Magic Flute, Welsh National Opera review - charming to hear, charmless to look at

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Un ballo in maschera, Welsh National Opera review - opera as brilliant self-parody

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War and Peace, Welsh National Opera review - an Operation Barbarossa that comes off

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theartsdesk at the Three Choirs Festival - religion, passion and Nordic fakery

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Prom 5, Pelléas et Mélisande, Glyndebourne review - for the ears, not the eyes

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Ariadne auf Naxos, Longborough Festival review - appetising energy and wit

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La Traviata, Longborough Festival review - muddled director, vocal mixed bag

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theartsdesk at the Leipzig Bach Festival: a cantata blockbuster

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Der fliegende Holländer, Longborough Festival review - stand and deliver on an empty stage

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Madama Butterfly, Glyndebourne review - perverse staging, outstanding cast

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BBC NOW, Alexandre Bloch, Hoddinott Hall, Cardiff review - tonal music in an avant-garde sense

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Stephen Walsh's Debussy - A Painter in Sound - extract

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Tosca, Welsh National Opera review - ticking the traditionalist boxes

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La forza del destino, Welsh National Opera review - rambling drama, fine music

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The World's Wife, Wales Millennium Centre, Weston Studio review - the power and frustration behind the throne

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Joan, ITV1 review - the roller-coaster career of a 1980s jew...

If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....

National Ballet of Canada, Sadler's Wells review - see...

What to expect of the National Ballet of Canada since its last...

Lear, Barbican Theatre review - a very stormy saga, Korean-s...

What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...

Album: Goat - Goat

With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide...

Monet and London, Courtauld Gallery review - utterly sublime...

In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...

Joker: Folie à Deux review - supervillainy laid low

“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing...

A Tupperware of Ashes, National Theatre review - family and...

Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in...

First Person: conductor Robert Hollingworth on a four-choir...

I’m sitting in a café in Kraców, Poland, rehearsals finished for the resurrection of a mass setting written nearly 400 years ago in...

The Battle for Lakipia review - why post-colonial Kenya is a...

The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is...

Album: Coldplay - Moon Music

From the very first chords of "Yellow" in 2000, Coldplay have been an ever present at the summit of popular music's hierarchy. Their uncanny knack...