fri 01/12/2023

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

Alcina, Glyndebourne review - Handel on the strand

Read more...

Die tote Stadt, Longborough Festival review - Korngold on the way back

Read more...

Tamerlano, The Grange Festival review - Handel brilliant in parts, but you have to wait for the drama

Read more...

Siegfried, Longborough Festival review - happily concept-free but with 'Good Ideas'

Read more...

Jenůfa, Welsh National Opera review - powerful drama with a kitsch tailpiece

Read more...

Don Giovanni, Welsh National Opera review - fine young cast let down by unhelpful conducting

Read more...

Madam Butterfly, Welsh National Opera review - decent performance, disagreeable context

Read more...

The Barber of Seville, Welsh National Opera review - back to work in an old banger

Read more...

The Cunning Little Vixen, Longborough Festival Opera review - life, death and the menopause in the forest

Read more...

theartsdesk at the Three Choirs Festival - Purcell, Gabriel Jackson and Duruflé

Read more...

Die Walküre, Longborough Festival Opera review - heroic defiance of farcical constraints

Read more...

Pagliacci, Opera Ensemble, Longborough review - stripped down but live

Read more...

Brecon Baroque, Podger, Brecon Cathedral online review - Bach recoloured

Read more...

Denis and Katya, Music Theatre Wales / Uproar, Rafferty review - disturbing the untroubled monotony of South Wales music

Read more...

Les vêpres siciliennes, Welsh National Opera review - spectacular, silly, but some great music

Read more...

Podger, Brecon Baroque, Hollingworth, Brecon Cathedral review - Bohemian footnotes yield the extraordinary

Read more...

Pages

latest in today

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

A Christmas Carol, The Old Vic review - older, wiser, and ye...

Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...

Boat Story, BBC One review - once upon a time in Yorkshire

It was as long ago as January last year that the prolific Williams brothers,...

Dariescu, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

John Storgårds found himself literally facing both ways for the third item on the BBC Philharmonic’s programme on Saturday: towards the audience,...

Mark Rothko, Fondation Louis Vuitton, Paris review - a show...

The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition...