Manon, Royal Ballet | reviews, news & interviews
Manon, Royal Ballet
Manon, Royal Ballet
Alina Cojocaru delivers, quite simply, a transcendent performance
Thursday, 02 June 2011
Alina Cojocaru and Johan Kobborg in 'Manon'Photos © Bill Cooper/ Royal Opera House
If an excess of enthusiasm troubles you, look away now. Because this is less a review, more a love letter. Alina Cojocaru has been astonishing audiences for more than a dozen years. Regular ballet-goers attend her performances expecting to be thrilled. I went expecting to be thrilled. What I didn’t expect was to have a ballet I have been watching for 30-odd years suddenly seem new.
If an excess of enthusiasm troubles you, look away now. Because this is less a review, more a love letter. Alina Cojocaru has been astonishing audiences for more than a dozen years. Regular ballet-goers attend her performances expecting to be thrilled. I went expecting to be thrilled. What I didn’t expect was to have a ballet I have been watching for 30-odd years suddenly seem new.
Neither of them are afraid to be still, to do less, and then do even less
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