CD: Macy Gray – Covered

The croaking crooner tries out some different styles

share this article

Macy Gray: a sandpaper voice that makes Tom Waits sound like Sinatra

On his last UK tour comedian Frank Skinner sang a song about Osama Bin Laden in the style of George Formby that contained the following couplet: "He had one hit then he went away, like a terrorism Macy Gray". Very witty, but rather harsh on the Grammy-winning singer who has sold over 15 million albums. Then again, maybe Frank had a point in a way. How many people outside that admittedly 15 million-strong fan club would be able to name many more hits than her global pain-soaked calling card "I Try".

This new album may not notch up any more smashes, but it certainly makes its mark. We already know that Gray has one of the most distinctive voices in soul, Minnie Mouse-meets-Aretha-and-a-sheet-of-sandpaper and here she applies it to other people’s songs. The range is dramatic, from the mainstream – a glacial version of Eurythmics’ "Here Comes the Rain Again" and a tear-jerking take on Radiohead's "Creep" – to the jaunty interpretation of "Smoke Two Joints" by The Toyes and a jolly skip through The Yeah Yeah Yeahs' "Maps". Odd and audacious choices, but when you have a timbre like Gray you can make anything your own.

Covered is produced by Hal Willner, who I first encountered in the mid-eighties when he worked on Lost in the Stars, which featured the likes of Marianne Faithfull and Tom Waits reworking Kurt Weill, so he clearly knows all about idiosyncratic vocals. Gray also reveals a sense of humour with playful musical sketches featuring cameos from Idris Elba, Nicole Scherzinger and MC Lyte. On “You Want Them Nervous", JB Smoove, aka Leon Black from Curb Your Enthusiasm, suggests Gray should carry a "big ass sword" onstage to scare her fans. I think she is scary enough unarmed. Never mind Osama Bin Laden, Gray gives a whole new meaning to the phrase "extraordinary rendition".

Follow Bruce Dessau on Twitter

See Macy Gray perform "Smoke Two Joints"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
When you have a voice like Gray you can make anything your own

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Home-counties prog rockers are collected in a box
Intensity, jazz-oriented psychedelia and the joys of recontextualisation
One among a new wave of folk artists exploring their music's outer limits
Alongside a whole heap of other excellent music from the last 12 months
The American trio's 20th anniversary celebration of 'Howl' did not always convince
Softness, resilience and rewriting history in the most glorious possible way
How the Edgar Froese-led trio were integral to inventing the future of music.
The Sunderland band played a variety of Christmas classics, with varying success
The former child actor's past meets her present