thu 14/11/2024

CD: Pokey LaFarge - Pokey LaFarge | reviews, news & interviews

CD: Pokey LaFarge - Pokey LaFarge

CD: Pokey LaFarge - Pokey LaFarge

Unforced and eventually contagious wander through older Americana styles

Pokey LaFarge, just popped in from the Twenties for a spell

It’s one thing to sound like an oldster recording back in the Twenties, Thirties and Forties, it’s quite another to look the part. In the half-century rise of gym body hegemony and homogenous Barbie’n’Ken facial aspirations, normalcy of human appearance has slowly become regarded as offbeat.

All those years ago, from Hollywood stars - Humphrey Bogart to Leslie Howard - and musicians - Hank Williams to Bing Crosby - they just looked like themselves, a certain gauntness, faces and bods that were characterful but far from sculpted. Pokey LaFarge could have sprung from the same era, hair slicked back and a face from a lost time.

It was not his look, however, that drew Jack White to sign him to his label for this, LaFarge’s third album, or, indeed, have him play on his Blunderbuss solo outing and act as his tour support. LaFarge’s music coincides absolutely with White’s own interests in American roots music yet, also like White, LaFarge adds a twist that’s purely his own. The 30-year-old resident of St Louis, Missouri, was raised in a family who imbued him with a fascination with history and literature, and he has consequently embraced old musical styles in a relaxed, unselfconscious manner.

Pitched somewhere between Cab Calloway and the O, Brother, Where Art Thou? soundtrack, his music is campfire likeable, as on strummers such as “Let’s Get Lost” – which showcases delicious acoustic guitar – but he’s as likely to bring in jazzy clarinets, muted trumpets, and call’n’response routines that recall old Betty Boop cartoons. His lyrics are also poetic and easy. Try the opening verse of “City Summer Blues”: “It must be summer in the river city/ Where the gunshots ring out twice a day/ Like cats in heat we’ve all gone crazy/ And sirens sing the long, hot night away.”

LaFarge leaves listeners with an overarching desire to catch him live – which must be a ball – but in the meantime this delightfully lazy, drawling album will suffice as a sun-dappled, porch-side, sippin’ soundtrack to summer evenings. Even if we don’t have porches or whisky and it’s raining.

 

Overleaf: watch the video for "Central Time"

Pitched somewhere between Cab Calloway and the 'O Brother, Where Art Thou?' soundtrack, his music is campfire likeable

rating

Editor Rating: 
4
Average: 4 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters