DVD/Blu-Ray: The Small World of Sammy Lee | reviews, news & interviews
DVD/Blu-Ray: The Small World of Sammy Lee
DVD/Blu-Ray: The Small World of Sammy Lee
Lost gem of London film noir restored in all its sleazy glory
In case one thought that turning hit TV shows into movies was a 21st century phenomenon, here comes a restoration of The Small World of Sammy Lee to prove that film-makers were at it back in 1963.
Writer-director Ken Hughes's noir drama started off as Sammy, a tense, one-hour, one-location television play made in 1958. Its small screen success allowed Hughes to hire the incomparable documentary photographer Wolf Suschitzky as his DP and cast musical star Anthony Newley for the feature film version. Newley plays Sammy, a small-time hustler in Soho, dodging the bookies' heavies who are chasing him for gambling debts. The clock is ticking throughout the film, its tension heightened by his attempts to protect his naive young girlfriend (Julia Foster) from the seamy side of Soho.
Suschitzky brilliantly captures the seediness of strip club economics
One of the great pleasures of the movie is seeing Sammy running through the streets of London – not just the alleyways and markets of Soho but also the Jewish East End when he turns in desperation to his grocer brother (played by Warren Mitchell) for a loan. Suschitzky brilliantly captures the seediness of strip club economics, and the bleakness of Victoria station in the small hours of the night. Alongside It Always Rains on Sunday, this is one of those great monochrome British films that allows us a glimpse into grimy post-war London, still scarred by the Blitz but showing signs of the energy which would erupt in the 1960s. It also boasts a wonderfully evocative original soundtrack by jazz composer Kenny Graham, who fuses vibraphones, breathy saxophone and a hint of klezmer music into the mix.
This DVD/Blu-Ray release boasts some enjoyable extras – a then-and-now location tour by film historian and Soho afficionado Richard Dacre, an interview with actress Julia Foster and an expert appreciation by director Mike Hodges, who went on to use Wolf Suschitzky for his own London/Newcastle noir, Get Carter a few years later.
rating
Buy
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Add comment